STAR WARS-THE FORCE AWAKENS (2015)

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This is NOT a film review.

“Nothing will stand in our way. I will finish……..what you started.”

To begin, there will be NO mention of plot points or scenes, if you want spoilers, jog on. Remember, this is not a film review.

Wow. What an emotional experience.
As the deadline approached, I found myself getting more and more excited, the force was truly awakening and JJ had seemingly, possibly, maybe, hopefully pulled off a coup; to make a sequel that honoured the originals yet managed to remain in the present (as far as film-making goes). Could this be true?

Everybody is feeling The Force at the moment.

Sat in the foyer on Thursday 17th December, 2015 in Sydney, Australia, the tension was palpable. We took our seats and waited, sat through some god-awful adverts and trailers and then It began (yes, I capitalized the I in it). No Fox fanfare as Lucasfilm is now owned by Disney, simply the Lucasfilm logo and then the opening crawl accompanied by THE music. Shit, it’s been a long time since I felt this. As excited as I may have been in 1999 when The Phantom Menace came out, this far superseded that feeling. I remember leaving the cinema back then sort of making excuses for it in my mind but a second viewing cemented my feelings about it, it was shit. Not so, here.

Could JJ Abrams really pull it off, after the travesty that was Eps 1,2 and 3, they shall, for me, remain in the depths of unneccessary along with the tv movies: Caravan of Courage-The Ewok adventure (which I never saw) and The Star Wars Holiday Special (2.5 on IMDB), mere distractions that came nowhere near close to the greatness of Star Wars, Empire and Jedi.
In my mind, I have erased the inclusion of 1,2 and 3. They are appendices, written badly, at best.

I can say, with confidence that JJ with The Force Awakens has done what Lucas (maybe/hopefully) wishes he could have achieved with 1,2 and 3.

And then some.

By selling the company and passing it along George Lucas has allowed the Star Wars universe to grow and become more relevant to today’s audiences as opposed to some outdated idea of what passes for entertainment these days.

That’s what it needed, a fresh approach from a skilled director who loved the originals as much as we did.

I never expected to have tears in my eyes at various moments during the watching of TFA, but they happened, I’m not ashamed to say it. I’m proud to say it. JJ hooks the audience emotionally by playing on the narrative themes of A New Hope and twisting them in a way that doesn’t seem plagiaristic (is that a word? Just looked it up, it is…..yes). The simpler, the better; gone are the overblown CGI that manages, like most 3d films, to distance you from the film and back are the creatures built by hand, the human touch. There are CGI characters in the film but never do you feel they are not real and a grounded part of this world (stand up and bow-the creators of Maz Kanata, brilliantly played by Lupita Nyong’o). Gone are the overblown, confusing messy politics and gone is Jar Jar Binks (mesa says thank goodness). What is left is the real essential elements of the originals, mythology, a bad-ass bad guy, an Empire that is stronger than it ever was, new characters that belong in the universe and a narrative that follows the rules add a pinch of seasoning and we may have an award winner, ladies and gentlemen.

Pause.

I’m currently listening to John Williams’ incredible score and still reeling from the experience of what I have just seen, it hit me emotionally. It is brilliant.

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JJ has done the seemingly impossible and made a film that is both current and manages to directly link to the originals. All I know is I’m looking to see it again and soon, like in the next day or so. I never thought after all these years that the magic could be revived, let me tell you, it can.

I could just go on and on and on (I KNOW I already have), I just can’t help it. I’ve written a lot and said little but my enjoyment of the film is like MANY others’; an emotional one. Mark Kermode said recently how easy and how much of a joy it is to write about great films. He’s not wrong at least on an emotional level.

Shit, what can I say without spoiling anything?

The cast are all great, the set pieces are tight, exciting and tense, there are quotes, the appearances of old characters get the tingles going, new characters surprise and entertain, there are laughs, tears, heart in mouth moments and more than a touch of humanity.
Excitement, adventure, drama, emotion; this has it all.

Hats off Mr Abrams, you rock.

For me, the film of the year.

Go see it.

5/5

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INSIDE LLEWYN DAVIES (2013)

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A week in the life of struggling folk singer in Greenwich Village, New York, 1961.

The Coen brothers follow their remake of True Grit with this quiet portrait of a musician trying to make a living through his art.

This is an intimate portrayal of an artist in the throes of trying to eat, survive and be successful. Oscar Isaac is as usual, superb, cementing him as the goto actor of the moment. Carey Mulligan is alright, not sure about her, she was good in Never Let Me Go and An Education but how versatile she is, je ne suis pas sûr. Justin Timberlake is alright as well, no big performance break-throughs, merely playing the part. It’s all about Isaac, his stillness, frustration and incredible vocal and musical skills are all on display and he carries this film with ease. It is the sort of film that won’t challenge its audience too much, the struggling artist angle would have failed were it not for Isaac.

It took me a long time to get round to watching this as I knew it would be a certain type of film, I was right. I’m glad I saw it, kinda, but don’t think I’ll be revisiting it anytime soon. This is definitely a taste call. The film is very well-made and features sturdy performances, the writing is sharp as we have come to expect from the Coens and these are definitely reasons to see it.

John Goodman appears; he does what he always does and smashes it as an ‘out-there’ jazz musician. Garrett Hedlund is perfectly ‘beat’ as a poet whose mind is alive with words and thoughts like a crazy person, bringing to mind a stoned Neal Cassady.

The music by T Bone Burnett is a perfect example of the time, creating folk music that seems like it was written in the 1960’s. Joel and Ethan Coen add another film to their oeuvre that, this time, is interesting without any major fireworks (for me). A Sunday afternooner.

3/5

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