Often overshadowed by the amount of attention Woodstock and Altamont received (both taking place in 1969 and within a few months of each other), Monterey Pop festival took place over three days in June 1967 at the height of the boom of love-ins and opening up of the youth, metaphorically (drugs, music and sex) and literally (Vietnam, the opening up, not the love-ins) and including breakout performances from Jimi Hendrix and Otis Redding.

Looking at a film like this you can clearly see the optimism and hope of the youth at the time and get a magical glimpse of a specific, turning point in history, not too long ago, that was massively and culturally significant.

In the 79 minutes, director D.A. Pennebaker manages to capture the essence of the festival with a wonderful amount of crowd shots intercut with concert footage.

The music is exquisite, from The Mamas and the Papas brilliantly performing California Dreaming to the Ragas of the ‘out of this wordly’ talented, Ravi Shankar, this concert is one for music lovers everywhere. Music is music is music and no genre-fication will be able to truly compartmentalise it. Great music transcends all the marketing men’s genre boxes and lifts the human spirit to lands previously unseen.

Simon and Garfunkel, Canned Heat, Hugh Masekela, Jefferson Airplane, Eric Burdon and The Animals, Big Brother and the Holding Company featuring the mighty Janis Joplin, The Who, Otis, Jimi, Ravi!!! What a line up.

It is impossible to recreate the sheer energy that Jimi brings to the table here in this day and age as we now live in a world where everything that can be seen has already been seen and done. Any Jimi emulators will be seen as merely that, copycats. To watch him embodying sexual energy in this performance of Wild Thing is to truly witness greatness, a wild abandon, an artistic one-man bacchanal. Stunning.
Janis is just raw power, she reminded me of Amy Winehouse, not in her singing style but in the performance filled with every fibre of her being.

The finale builds wonderfully with a performance being heard whilst shots of the festival and the revellers looking on in awe at the performance takes you right to the heart of the festival.

Although a much more conventional concert than Woodstock as in, there are seats, this definitely has the feel of something extraordinary with the sheer amount of talent on stage.

A definite must-see for anyone who claims to be into music.


Buy the brilliant soundtrack here.

Buy the Blu-Ray Criterion Collection DVD here.

ENEMY (2013)


“Chaos is order yet undeciphered”

Doppelganger – ‘a ghostly double or counterpart of living person’

Denis Villeneuve evokes Hitchcock, Haneke, a splash of Noe and a pinch of Lynch in this strange, disturbing, mysterious and Kafkaesque thriller.

Jake Gyllenhaal plays a school teacher, Adam, who discovers there is an actor who looks just like him, he then proceeds to seek out this double and the puzzle begins.

This is truly an unsettling film and will, without a doubt leave you scratching your head. This is what art is capable of, begging questions of its viewers. It is much more intriguing and satisfying than having everything tied up in a neat little compartmentalised bow. The colours and music help to unsettle the audience. Cinematography by Nicolas Bolduc and the music is by Danny Bensi and Saunder Jurriaans.

What is real? What is imagined? What is going on? What is it saying? There are many theories and apparently Villeneuve has kept quiet, apart from saying “If you look at Enemy again, you’ll see that everything has an answer and a meaning.”

Based on Jose Saramago’s novel, The Double (the quote at the top of this review and the beginning of the film is taken from it), this has got to be one of the most powerful films I have seen this year, this was eminently more enjoyable than Villeneuve’s last foray, Prisoners. The screenplay by Javier Gulon is tautly written juxtaposing the looser pace of the film. Jake Gyllenhaal is excellent, yet again playing the teacher and the actor. Melanie Laurent and Sarah Gadon are brilliant as the women in the two Jakes’ lives. Special mention goes to Gadon for expertly portraying a complex role with absolute conviction.

People will either love this or hate it, the haters will be the ones that want everything packaged up the way Weinstein wants to give it to you but for this viewer it is exactly what the doctor ordered.

The less said plot wise, the better, the trailer is below but avoid if you want a movie experience unclouded by various images from the film.

Just watch the film, you may be able to unlock the puzzle.