JOHN WICK 4 (2023)

John Wick 4 poster

John Wick 4

On March 7th 2023, approximately 9 years after it first came out, I watched John Wick.

Let me rewind a little, I had been invited to a screening of John Wick 4 by the kind people at Studio Canal and I had a dilemma. I had never seen any of the earlier films so do I watch Chapter 4 cold without seeing the threevious ones or do I embark on the journey properly and go back? Having consulted my dear friend and fellow cinema-ista, Adam Nightingale, I was given the recommendation to go for it and watch them all in the order they is meant to be seen “It is an ongoing saga with its own rules and laws and expanding universe. To go in cold would be to deny yourself the pleasure of seeing the world unfold”.
He was not wrong.
As it happens the first 3 films are all on Netflix, so I began at the beginning.

John Wick is a fun, very well made, action-er that is hugely enjoyable not least for the incredible cast and Keanu getting to do what he does very well and that is actioné. Michael Nyqvist is superb as the villain and it was with sadness that I found out he had passed away back in 2016.
John Wick is retired and mourning the death of his wife (Bridget Moynahan) but some Russian gangsters played by Alfie Allen and Toby Leonard Moore pay him a visit and make him very angry and thus Baba Yaga is back in business. Special mentions go to Dean Winters (Ryan O Reilly from HBO’s Oz) who should be in more films, of course, the master, Willem Dafoe playing John Wick’s former colleague and friend and John Leguizamo as the owner of a car shop.

All of the John Wick films are directed by Chad Stahelski who was a former stuntman and the stunt double for Keanu Reeves in The Matrix films and Brandon Lee in The Crow. The first three of the chapters were written by Derek Kolstad who created the franchise.

This is a good sign. Through-lines and consistencies. I like it.

John Wick and his dog

One man and his dog

John Wick-Chapter 2Just when I thought I was out.

This chapter sets the tone for what probably follows in 3 and 4. Let’s do this.
One of the many things I appreciate from having Stahelski direct is the care and attention to the filming and editing of the choreography. He knows his stuff. A lot of fight choreography in film is ruined by the editing, it is so chopped up that the beauty and flow is lost and turned into something lesser than is originally intended. Some of this is to usually to make the actors look better than they are but if you have the talent like the artists in Gareth Evan’s The Raid you will see grace in the movement and Stahelski creates that here, the fights are brilliant, brutal and balletic and have a rhythm that flows and ebbs beautifully.

We get some Peter Stormare at the beginning, who plays the brother of Michael Nyqvist’s character from Chapter 1 and that’s always fun. The original Django himself Franco Nero plays the manager of the Continental hotel in Rome. We are then introduced to Morpheus, sorry, the Bowery King played by Laurence Fishburne, an underground crime boss who runs his empire through fake homeless people and pigeons. The big bad here is played by Riccardo Scamarcio as a Camorra crime boss who calls on John Wick to settle a blood oath and drags him back into the world of death and Baba Yaga-ing. The mirror scene at the end brings to mind the classic Bruce Lee Enter the Dragon finale and is shot beautifully.

Riccardo Scamarcio and Ruby Rose in John Wick Chapter 2

Riccardo Scamarcio and Ruby Rose in John Wick Chapter 2

John Wick Chapter 3 Parabellum. This is where the series really hits its stride. The first two were brilliant set ups and here we have the main course, a deeper dive into the mythology.

I have served. I will be of service.

Just before I saw this I heard the sad news that the great Lance Reddick had passed away so watching this had a bittersweet effect. He gets to fight in this one so that was fun to see him alongside Keanu taking out the enemy.
R.I.P. Lance Reddick, thank you for your work.

Lance Reddick in John Wick Chapter 3-Parabellum

Lance Reddick in John Wick Chapter 3 – Parabellum

In Chapter 3 we are introduced to the adjudicator (Asia Kate Dillon) who is not well pleased with Ian McShane’s Winston or Laurence Fishburne’s the Bowery King because of the High Table’s perception of them helping John Wick in Chapter 2 and so a new dimension is brought to the series. John Wick is ex communicado now and has a multi million dollar bounty on his head that was revealed at the end of 2 and sees every assassin in New York coming after him. The ante is massively upped. There are, as usual many fantastic action set pieces and the film plays heavily on the mythology and is so much fun. We are introduced to the world of the Ruska Roma crime syndicate led by the legendary Anjelica Huston. Here we get some great (actual) ballet sequences and a peek into John’s earlier years. Halle Berry is fierce as Sofia who owes John a debt and Jerome Flynn has a blast playing a member of the High Table, Berranda. The fight sequence with Wick and Sofia is exquisite and the use of the dogs is tops.

Keanu Reeves and Halle Berry in John Wick 3 - Parabellum

Keanu Reeves and Halle Berry in John Wick Chapter 3 Parabellum

Mark Dacoscas has a lot of fun playing Zero, a Japanese assassin with two students played by the great Yayan Ruhian (The Raid) and Cecep Arif Rahman (The Raid 2), all three get to have fun fights with Wick and are given more than the usual fare.

Si vis pacem, para bellum-If you want peace, prepare for war.

John Wick Chapter 4

Keanu Reeves is John Wick in John Wick 4

Keanu Reeves in John Wick Chapter 4

Nowhere to run.

And now for the reason we’re all here. Seeing this on the big screen with an audience was heaps of fun. The series continues with our titular (wanna be ex) assassin, Jonathan Wick still on the run from the High Table, now being chased by seemingly everyone. The always brilliant Clancy Brown rocks up in Harbinger duties bringing a weight to the proceedings and giving Ian McShane’s Winston a dark message from the Marquis de Gramont, devilishly played by Bill Skarsgård, the main foil to Johnny W.

Ian McShane and Clancy Brown in John Wick 4

Ian McShane and Clancy Brown in John Wick 4

John goes to Osaka to a Continental hotel over there to visit and get help from his old friend Shimazu Koji played with the usual excellence by Hiroyuki Sanada, who runs the hotel with his daughter played by English singer/songwriter, Rina Sawayama in her film debut. Donnie Yen turns up early on as ‘blind man assassin’, Caine, an old friend of John’s who is blackmailed to kill him and gives a lovely performance filled with heart and fists and feet and swords and guns and a pencil.

Donnie Yen, Bill Skarsgård and Marko Zaror in John Wick 4

Donnie Yen, Bill Skarsgård and Marko Zaror in John Wick 4

From Japan, John seeks out help from his old family the Ruska Roma clan where the head, Katia played by Natalia Tena agrees to help him if he will kill the man who killed her father and therein we get to a very entertaining part of the film as we meet Killa played with relish by English actor and martial artist, Scott Adkins who chews up every moment playing the head of the German table in a large person suit that makes him look like he is straight out of Rammstein’s music video for Keine Lust. (Check it out if you haven’t seen it).

Keanu Reeves, Donnie Yen and Scott Adkins in John Wick 4

Keanu Reeves, Donnie Yen and Scott Adkins in John Wick 4

Adkins’ large person suit is a nod to the great Hong Kong martial artist Sammo Hung and the fight sequence in a rainy club!!! is alls in and alls out nuts.

A nice addition to this chapter is Shamier Anderson, who I had never seen before but puts in a solid committed performance as an assassin for hire, Mr Nobody/Tracker with his bad ass Alsatian dog.

Shamier Anderson in John Wick 4

Shamier Anderson in John Wick 4

One thing to point out is the cinematography in all of the films, the symmetry is spectacular and Chad Stahelski clearly has an eye for the mise en scene. There is a nice nod to Walter Hill’s The Warriors and the final sequences at the Arc de Triomphe and the Sacre Coeur are epic.

This is a film that demands to be seen on the big screen, it is spectacular and Stahleski has created a franchise that is by far the best action film series of the 21st century thus far. 

Keanu Reeves and Donnie Yen in John Wick 4

Keanu Reeves and Donnie Yen in John Wick 4

It’s big, bold and more than a bundle of fun.

Thanks to Studio Canal for the invite and thank to Addz for the advice. I had an absolute blast.

Check out the trailer:

If action films are your thing or you want to be entertained………

Go. See. It.

Out now in cinemas everywhere.

STAR WARS-THE FORCE AWAKENS (2015)

star_wars_force_awakens_4

This is NOT a film review.

“Nothing will stand in our way. I will finish……..what you started.”

To begin, there will be NO mention of plot points or scenes, if you want spoilers, jog on. Remember, this is not a film review.

Wow. What an emotional experience.
As the deadline approached, I found myself getting more and more excited, the force was truly awakening and JJ had seemingly, possibly, maybe, hopefully pulled off a coup; to make a sequel that honoured the originals yet managed to remain in the present (as far as film-making goes). Could this be true?

Everybody is feeling The Force at the moment.

Sat in the foyer on Thursday 17th December, 2015 in Sydney, Australia, the tension was palpable. We took our seats and waited, sat through some god-awful adverts and trailers and then It began (yes, I capitalized the I in it). No Fox fanfare as Lucasfilm is now owned by Disney, simply the Lucasfilm logo and then the opening crawl accompanied by THE music. Shit, it’s been a long time since I felt this. As excited as I may have been in 1999 when The Phantom Menace came out, this far superseded that feeling. I remember leaving the cinema back then sort of making excuses for it in my mind but a second viewing cemented my feelings about it, it was shit. Not so, here.

Could JJ Abrams really pull it off, after the travesty that was Eps 1,2 and 3, they shall, for me, remain in the depths of unneccessary along with the tv movies: Caravan of Courage-The Ewok adventure (which I never saw) and The Star Wars Holiday Special (2.5 on IMDB), mere distractions that came nowhere near close to the greatness of Star Wars, Empire and Jedi.
In my mind, I have erased the inclusion of 1,2 and 3. They are appendices, written badly, at best.

I can say, with confidence that JJ with The Force Awakens has done what Lucas (maybe/hopefully) wishes he could have achieved with 1,2 and 3.

And then some.

By selling the company and passing it along George Lucas has allowed the Star Wars universe to grow and become more relevant to today’s audiences as opposed to some outdated idea of what passes for entertainment these days.

That’s what it needed, a fresh approach from a skilled director who loved the originals as much as we did.

I never expected to have tears in my eyes at various moments during the watching of TFA, but they happened, I’m not ashamed to say it. I’m proud to say it. JJ hooks the audience emotionally by playing on the narrative themes of A New Hope and twisting them in a way that doesn’t seem plagiaristic (is that a word? Just looked it up, it is…..yes). The simpler, the better; gone are the overblown CGI that manages, like most 3d films, to distance you from the film and back are the creatures built by hand, the human touch. There are CGI characters in the film but never do you feel they are not real and a grounded part of this world (stand up and bow-the creators of Maz Kanata, brilliantly played by Lupita Nyong’o). Gone are the overblown, confusing messy politics and gone is Jar Jar Binks (mesa says thank goodness). What is left is the real essential elements of the originals, mythology, a bad-ass bad guy, an Empire that is stronger than it ever was, new characters that belong in the universe and a narrative that follows the rules add a pinch of seasoning and we may have an award winner, ladies and gentlemen.

Pause.

I’m currently listening to John Williams’ incredible score and still reeling from the experience of what I have just seen, it hit me emotionally. It is brilliant.

BUY ON iTUNES HERE

BUY THE DELUXE CD EDITION HERE

JJ has done the seemingly impossible and made a film that is both current and manages to directly link to the originals. All I know is I’m looking to see it again and soon, like in the next day or so. I never thought after all these years that the magic could be revived, let me tell you, it can.

I could just go on and on and on (I KNOW I already have), I just can’t help it. I’ve written a lot and said little but my enjoyment of the film is like MANY others’; an emotional one. Mark Kermode said recently how easy and how much of a joy it is to write about great films. He’s not wrong at least on an emotional level.

Shit, what can I say without spoiling anything?

The cast are all great, the set pieces are tight, exciting and tense, there are quotes, the appearances of old characters get the tingles going, new characters surprise and entertain, there are laughs, tears, heart in mouth moments and more than a touch of humanity.
Excitement, adventure, drama, emotion; this has it all.

Hats off Mr Abrams, you rock.

For me, the film of the year.

Go see it.

5/5