SELMA (2014)

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Firstly, biopics never fully satisfy, they are overly dramatized, obviously, and then comes the artistic license; this is not what turns me off. There will ALWAYS be someone who takes umbrage because “‘insert name here’ “didn’t wear that tie, etc, etc.” I am being flippant but you get the drift. For me, I find that they rarely leave a lasting impression. Malcolm X was an exception. For me.

I went into this with many reservations. Will it be an emotional blackmailing piece because of the subject matter? Will David Oyelowo be any good? I am happy to say that I was wrong, on all counts. Oyelowo is brilliant and deserved a nomination, as should director Ava DuVernay. The snub seems to be a political one. 12 Years a Slave was lauded last year and the voters either didn’t see Selma or decided to go the Cooper route. I have yet to see The Imitation Game or The Theory of Everything but my instinct tells me that although the performances will be special, the films will be average. My money is on Birdman for Best Film.

It’s great that we are getting more female directors gaining more commercial and critical success and I welcome it. DuVernay treats the subject matter with depth, sensitivity and respect and it comes through. This is an important film; it is the first feature film to focus on Martin Luther King Jr, which is crazy that it took so long to do so.

Set in 1965 and centring around the Selma to Montgomery civil rights voting march and written by Ava DuVernay and Paul Webb, this film succeeds on many levels. The cast are all brilliant, bringing their ‘A’ games to the table for such a prescient piece of American history. British actress, Carmen Ejogo (The Purge: Anarchy) plays Coretta King (she previously played her in Boycott in 2001) and delivers a performance of subtlety and skill. Tim Roth is Governor George Wallace, steeped in the racist ways of Alabama of the time and manages to make him three dimensional, veering away from pantomimicry. Wendell Pearce (The Wire, Treme) is Rev. Hosea Williams and, as usual is a joy to watch. Stephen James plays John Lewis, the chairman of the Student Nonviolent Coordinating Committee (SNCC), who was a key member in the endeavour to end racial discrimination and segregation. Common plays James Bevel. Tom Wilkinson is brilliant as Lyndon B Johnson, eschewing caricature for a performance with layers. Nigel Thatch plays Malcom X in a fantastic scene with Coretta King. Oprah Winfrey imbues her Annie Lee Cooper with dignity and delivers a performance filled with respect and admiration for this incredible woman who not many people know about. That’s one of the joys of this film, the fact that a lot of the key members are featured and it shines a light on these brave, heroes of recent American history. Special mention goes to Dylan Baker who portrays J Edgar Hoover with a coldness and menace in the one scene he appears in.

The cinematography is inspired by Bradford Young who did a wonderful job on the low budget, Pariah. Jason Moran is on soundtrack duties and creates a perfect accompaniment to the visuals. For a film that I had expected to disappoint, I was wonderfully surprised.

One to watch.

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3.5/5

THE GRAND BUDAPEST HOTEL (2014)

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Too much has already been written about the off-beat/quirky/left of centre/kooky style that Wes Anderson imbues in his films, and if you ever see him in interview you will realise that this quality is simply a reflection of him, like David Lynch before him he makes films that don’t sit easily in the usual genre categories and more is the joy.

The point is in the experience, not the compartmentalisation.

Here he has, yet again, created a world that is sumptuous to look at (and listen to, the soundtrack is stunning) and takes the audience on a journey that is a breath of fresh air filled with the expected unexpected Anderson style.

Ralph Fiennes is brilliant as M. Gustave, the famous concierge of the hotel in the fictional European Republic of Zubrowka, he skates the line betwixt farcical comedy and high drama beautifully and Tony Revoloro is a find as his trusty Lobby Boy as they embark on an adventure filled with mystery, murder, mayhem and Anderson mania.

This is Anderson’s biggest film to date as far as location and the amount of actors featured are concerned and it works. It weaves its way through the yarn taking on us a journey that is mesmerising, melodic and memorable.

A cavalcade of very talented actors come together in this beautifully cast film. F. Murray Abraham, Mathieu Amalric, Adrien Brody, Willem Dafoe, Jeff Goldblum (surely a new Anderson mainstay), Harvey Keitel, Bob Balaban, Tilda Swinton, Edward Norton, Saoirse Ronan, Jason Schwartzman, Lea Seydoux, Tom Wilkinson, Jude Law and of course, the mighty Sir William of Murray. All superb, all a joy.

Viewers are usually in either the ‘love him’ or ‘hate him’ camps but if you reside in the former you are in for a right royal treat.

By fictionalizing a time in European history, Anderson comments on and puts his own inimitable spin upon the actual events.

This is hugely enjoyable. Highly recommended.

4/5

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