FOR A FEW DOLLARS MORE-‘Per Qualche Dollaro in Più’ (1965)


“Alive or dead. It’s your choice.”

The second in Sergio Leone’s classic Man With No Name Trilogy, which gave rise to and helped popularise the spaghetti western

This is a classic for sure, Leone shows his immense talent by adding onto the world he created with A Fistful of Dollars. Eastwood plays a bounty hunter who targets homicidal bandit, Indio (played by the brilliant Gian Maria Volante) and finds that he has some competition from another bounty killer, Col Douglas Mortimer (played by the master of the look, Lee Van Cleef).

The violence is quick, shocking and effective, all mood and mise en scene creatively realized. The music by the maestro, Ennio Morricone is just as important; massively influential, it helps create the ambience of the world, all danger and tension.

Support comes in the shape of the famously erratic actor, Klaus Kinski, who commits to his role of the hunchback in a way supporting actors rarely get the chance to (or don’t dare to) nowadays, you could see he was a talent who stands out as a member of Indio’s gang and gets some classic scenes involving the lighting of a match.

There is a scene early on where Eastwood is seeking some information from an old man in bed and it’s clear he is enjoying the performance of this quirky actor, Eastwood smiling throughout the scene which is a pleasant break from the usual cool, show no emotion acting he gives in the rest of the film. It’s a funny scene made brilliant by the Old Prophet, who is played by Austrian character actor, Josef Eggers. He also appeared in A Fistful of Dollars as the undertaker, Piripero-“My mistake. Four coffins…” This was his last film before he passed away a year later. A fine swansong.

Van Cleef is made for his role; he is just as influential as Eastwood when it comes to the style of acting needed for this kind of film. It’s all in the eyes and he has killer ones. Leone paints the screen with beautiful shots that immerse you into this wild west world.

The title “The Man with No Name trilogy” is not quite accurate; he is called ‘Joe’ in A Fistful of Dollars, ‘Manco’ in this one and ‘Blondie’ in The Good The Bad and the Ugly. Manco means ‘one-armed’ in Spanish and here Eastwood does everything with his left hand bar shooting.

The musician J Saul Kane AKA Depth Charge made this tune in 1994 called Bounty Killer containing several quotes from this film:


Much has been said of the influences of these films, the looks, the silences, the music, the shots and cinematography, the tension and I could go on. All are a joy to behold.
For a slice of classic western, this is one to see.




A FISTFUL OF DOLLARS (Per un pugno di dollari) 1964


“I don’t think it’s nice, you laughin’. You see, my mule don’t like people laughing. He gets the crazy idea you’re laughin’ at him. Now if you apologize, like I know you’re going to, I might convince him that you really didn’t mean it.”

Clint Eastwood plays Yojimbo, a lone samurai…..
Sorry, start again.

Akira Kurosawa directs the first of the spaghetti westerns…
Only joking.

Toshiro Mifune gives a career defining performance as The Man with No Name in Serfio Leone’s…..

Sergio Leone remade Yojimbo as A Fistful of Dollars (Per un Pugno di Dollari) re-located to the American west, consequently getting sued by Kurosawa and losing 15% of the film’s worldwide gross, Kurosawa stated later that he made more money from Dollars than his original Yojimbo.
In actual fact, the source material was the 1942 film noir The Glass Key which was based on the Dashiell Hamnett novel.

The plot is simple, a lone gunman comes to a town and starts to play off the two crime families against each other to his own benefit.

Clint Eastwood creates the iconic anti-hero, The Man With No Name in this seminal western with European sensibilities; all looks and attitude. As we all know now, this was the first of Leone’s Spaghetti Western trilogy. All of them are classic films that had a massive impact and influence on many films that came after.

The long, lingering close-up shots, Ennio Morricone’s seminal soundtrack and the brilliant Gian Maria Volonte as the slightly deranged Ramon Rojo help to make this wonderful western opera.

Just brilliant.