SHORT TERM 12 (2013)


How to tell a story that is predominantly down-beat and remain both entertaining and moving?

Director and writer Destin Daniel Cretton delivers this incredibly powerful story that is about truly troubled teenagers but manages to imbue all the characters with so much damn heart and humanity that it is impossible not to be affected and drawn into their worlds.

As you may be aware from my recent posts, I had some problem with Blue Ruin and The Past, both dealing with difficult subject matters but I think my main beef was that I didn’t feel included or let in emotionally.

With Short Term 12 this is not the case, from the carers to the kids, each and every one felt real and 3 dimensional. There is a plethora of heart in this film, it seems like its going to burst right out of the screen, but not in any kind of over-sentimental way, true heart, true emotions, true grit.

The star of this piece is an actress whose work I have enjoyed in everything I have seen her in (Scott Pilgrim, The League, 21 Jump St and Don John), Brie Larson.
Here she gets to show everybody how fricken great an actor she is. It just a joy to watch her journey and the intelligence and reverence she clearly has for this piece shines out.

She plays Grace, a young counsellor working in a foster care facility doing her best with children who have had to be pulled out of their homes because of varying degrees of messed up home situations. Abuse and neglect are difficult to portray without over-egging the emotions, here that definitely doesn’t happen. Cretton always veers away from the obvious choices in both the dialogue and the direction and for that he gets my vote, he manages to avoid emotional clichés at every turn.

John Gallagher Jr, who was one of the best things about Aaron Sorkin’s The Newsroom, is again brilliant here as Mason, Grace’s co-worker and partner. His job is not an easy one and he delivers a performance filled with nuance, levity and depth.

Rami Malek plays Nate, who we meet on his first day as a counsellor at this facility and we are also introduced to this world as he is.

The kids. Wow, what a talented bunch they are. Much has been said about the documentary feel of it and this is down to the actors. All of them. The children are so immersed in their characters that you really feel like a fly on the wall at times, this is a testament to their skills but also to the director who didn’t allow for overt histrionics.

As we get to know the children and care-givers we are drawn deeper into this world where life is an everyday struggle, but unlike the two films I mentioned before, this film has some wonderful light touches that temper the tragedy and allow the viewer to take the journey without being constantly beaten by the rod of misery.

Special mentions go to Kevin Hernandez who plays Luis, Keith Stanfield as the damaged Marcus and Kaitlyn Dever as Jaden, who becomes the catalyst for Grace having to deal with some previously avoided deep personal issues.

This film is a joy to watch, filled with life, love and tragedy; it is a story excellently told and all credit to everyone involved in this important, powerful film.

See it!






The title is, in fact, ironic. For Miles Teller’s popular kid, Sutter, the now is what it’s all about.

It is a love story, of sorts, an awakening, of sorts, a journey.
Great, all these things are part of the recipe for great storytelling. However, I was underwhelmed. Maybe it’s because I am so far removed from the experience of what it’s like to be a teenager in this day and age. But, I don’t think so.
I can only imagine (and even then, not very realistically) the struggles and problems kids today go through. Not counting the usual, normal everyday struggles of a teen, more the state of the world they live in, the technology at their fingertips and their access to an array of information.

Very different to when I was a youth.

Emotionally, the same obstacles are there but I can’t sit in judgement about how they are like this or like that as these are very different times.

This is a film that may speak to a certain demographic but whatever the film is about it is telling a story and although it may be different from the norm it didn’t rock my boat like they said it would.

I will give props to Shailene Woodley, however, she was grounded in the character’s reality and always seemed to be present and sensitive in her scenes. She was good in The Descendants but even better in this. An actress to watch.