SELMA (2014)

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Firstly, biopics never fully satisfy, they are overly dramatized, obviously, and then comes the artistic license; this is not what turns me off. There will ALWAYS be someone who takes umbrage because “‘insert name here’ “didn’t wear that tie, etc, etc.” I am being flippant but you get the drift. For me, I find that they rarely leave a lasting impression. Malcolm X was an exception. For me.

I went into this with many reservations. Will it be an emotional blackmailing piece because of the subject matter? Will David Oyelowo be any good? I am happy to say that I was wrong, on all counts. Oyelowo is brilliant and deserved a nomination, as should director Ava DuVernay. The snub seems to be a political one. 12 Years a Slave was lauded last year and the voters either didn’t see Selma or decided to go the Cooper route. I have yet to see The Imitation Game or The Theory of Everything but my instinct tells me that although the performances will be special, the films will be average. My money is on Birdman for Best Film.

It’s great that we are getting more female directors gaining more commercial and critical success and I welcome it. DuVernay treats the subject matter with depth, sensitivity and respect and it comes through. This is an important film; it is the first feature film to focus on Martin Luther King Jr, which is crazy that it took so long to do so.

Set in 1965 and centring around the Selma to Montgomery civil rights voting march and written by Ava DuVernay and Paul Webb, this film succeeds on many levels. The cast are all brilliant, bringing their ‘A’ games to the table for such a prescient piece of American history. British actress, Carmen Ejogo (The Purge: Anarchy) plays Coretta King (she previously played her in Boycott in 2001) and delivers a performance of subtlety and skill. Tim Roth is Governor George Wallace, steeped in the racist ways of Alabama of the time and manages to make him three dimensional, veering away from pantomimicry. Wendell Pearce (The Wire, Treme) is Rev. Hosea Williams and, as usual is a joy to watch. Stephen James plays John Lewis, the chairman of the Student Nonviolent Coordinating Committee (SNCC), who was a key member in the endeavour to end racial discrimination and segregation. Common plays James Bevel. Tom Wilkinson is brilliant as Lyndon B Johnson, eschewing caricature for a performance with layers. Nigel Thatch plays Malcom X in a fantastic scene with Coretta King. Oprah Winfrey imbues her Annie Lee Cooper with dignity and delivers a performance filled with respect and admiration for this incredible woman who not many people know about. That’s one of the joys of this film, the fact that a lot of the key members are featured and it shines a light on these brave, heroes of recent American history. Special mention goes to Dylan Baker who portrays J Edgar Hoover with a coldness and menace in the one scene he appears in.

The cinematography is inspired by Bradford Young who did a wonderful job on the low budget, Pariah. Jason Moran is on soundtrack duties and creates a perfect accompaniment to the visuals. For a film that I had expected to disappoint, I was wonderfully surprised.

One to watch.

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3.5/5

BOYHOOD (2014)

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12 Years a Boy

Richard Linklater’s magnificent opus about the life of Mason played by Ellar Coltrane (cool surname), from 5 to 18 years old and his sister, Samantha, played by the director’s daughter, Lorelei Linklater took 12 years to film.

This remarkable coming of age drama is an incredibly successful experiment and such a joy to watch, at 165 minutes it never feels long, drawn out or filled with exposition. Linklater elicits wonderful performances from all involved and creates many beautiful moments. He filmed once or twice a year for 12 years and had a script that he kept malleable as he re-watched the previous years’ footage and utilised the actor’s changes and life lessons to inform and add to the constantly adaptable script.

It’s such a unique experience watching the children growing up during the duration of the film and what a joy it is. Already placing on critics ‘best of the year’ lists, this is well deserving of any awards that are and will come its way.

This is his most personal film being loosely based on his own experiences as a child and this comes through with bucketloads of charm and moments of truth and humanity. Starring his long-time collaborator, Ethan Hawke and with Patricia Arquette as Mason and Sam’s father and mother giving honest, truthful performances, Linklater had asked Hawke to take over filming if he died during the period.

Linklater is one of the most interesting directors working today, from his debut with Slacker through Dazed and Confused, School of Rock to the Before trilogy, he has shown himself to be an artist of incredible talent, consistent and constantly creating works of merit and mastery.

A must see.

Read an interview with the star, Ellar Coltrane at thefilmstage.com here

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4/5