DICKS: THE MUSICAL (2023)

Dicks: The Musical Poster


Craig (Josh Sharp) and Trevor (Aaron Jackson) are ’identical’ and ‘straight’ self obsessed twins who, until the two companies they work at merge, didn’t know the other existed. They plot together to get their Mother (Megan Mullally) and Father (Nathan Lane) back together and boundary pushing hilarity ensues.

I would put money down that you’re not gonna see a crazier movie than this this year, or next.

Josh Sharp and Aaron Jackson in Dicks: The Musical

Josh Sharp and Aaron Jackson in Dicks: The Musical

In 2015, Josh and Aaron created a 30 minute musical in which they played long lost twins and each of them could also play a parent each. The  loosely inspired by The Parent Trap they set out to make “Let’s just do a funny little half hour crazy queer musical!”and they made a show, originally titled ‘Fucking Identical Twins’ that was performed in the basement of Gristedes (an off Broadway venue).

The pair were part of the Upright Citizens’ Brigade Theatre Company, an impro and sketch comedy group that started in Chicago in 1990 with, among others, Amy Poehler, Matt Besser, Matt Walsh and Adam McKay as its founding members and along the way has had in its company, Aubrey Plaza, Jason Mantzoukas, Abby Jacobson and Iliana Glazer (Broad City), Nick Kroll, Zach Woods, Kyle Mooney and Ben Schwartz. It’s a breeding ground for great improv comics.

Ffwd to 2023, and A24 release a film version of the musical that jumps right over any, and I mean any, line that has been drawn in the sand of taste, and declares itself here, queer and defo, not going shopping and very funny.

Nathan Lane, Megan Mullally, Aaron Jackson and Josh Sharp in Dicks: The Musical

Nathan Lane, Megan Mullally, Aaron Jackson and Josh Sharp in Dicks: The Musical

Dicks: The Musical shares shock DNA with Matt and Trey’s South Park the Musical, Team America:World Police and The Book of Mormon and directed by Larry Charles, whose pedigree speaks for itself, (Seinfeld, Borat and Bruno) this is a very funny musical that defo pushes the boundaries of taste, depending on your personal line, and mixes sweetness with filth like no other film you’ll see any time soon.

It dares to tread where few have gone before and why not?
A film like this needs to exist, it shows that we are unafraid to cross the line. Crossing the line is healthy and shows a balanced fair society. Not for everyone but great that it exists.

Megan Thee Stallion lets the boys know who's the boss in Dicks: The Musical

Megan Thee Stallion lets the boys know who’s the boss in Dicks: The Musical

There is an outtake during the credits where Josh starts laughing and Aaron asks what he’s laughing at, to which Josh replies “That we’re making this film”. Indeed, who would have thunk it? 

It’s a shock, a joyous one, but a shock nevertheless that this film has been made and we give thanks to A24.
I’m not sure who I’d recommend this film to. Definitely not my Mum. Anyone who likes musicals, is not easily offended and likes an unexpected laugh.

Things happen in this film that you couldn’t pick in a million years.
Sewer boys, a flying body part and some incest that would make Cersei and Jamie Lannister blush.

Featuring queens, Megan Thee Stallion, Megan Mullally, Nathan Lane and, of course, Bowen Yang, who was an old friend of the pair from the days at UCB. Megan Mullally and Nathan lane clearly have a blast with the material as is evident in the outtakes over the end credits and are both brilliant, as usual.

Bowen Yang as God!!!!!!!

Bowen Yang as God!!!!!!!

The only time the film slowed for a minute was during the Megan Thee Stallion song, which wasn’t bad it just didn’t feel apart of the narrative, more of an aside. A minor quibble.
The songs are all catchy, with the lyrics well written by the Josh and Aaron and given a bed of music by co-composer, Karl Saint Lucy and award winning producer, Marius De Vries, they are perfectly composed and fit brilliantly into the canon of musical numbers. This will be a midnight adult sing along show before long in the vein of The Rocky Horror Picture Show and Mamma Mia.

The casting of Bowen Yang as God in glitter may be blasphemous to some but here he gets to queen it up to the max and has a lot of fun whilst doing so.
The song at the finale may also have fundamentalists fainting and screaming but the audacity of it deserves a tilt of the hat.

Nathan Lane and Megan Mullally in Dicks: The Musical

Nathan Lane and Megan Mullally in Dicks: The Musical

The gayest, most outrageous musical comedy you will see all year and probably next year as well.
Not for the easily offended or faint of heart.


See it at the cinema or wherever you can now……If you dare.
86 Minutes

BLAZE (2018)


Blaze Foley lived a short and eventful life. He had heaps of talent but combine that with the self destructive gene many artists possess and success was beyond his reach.

Ethan Hawke directs this beautiful, tender portrait of an artist who didn’t reach the heights he may, like many others, have attained. In an interview Hawke talked about the desire to make a film about an artist who didn’t make it:

“One of the things about music biopics is that they’re always about Ray Charles or Johnny Cash or somebody who made it big, and the subtext of that is always that the making it big is what made their life story worth telling and the great mass of musicians that I’ve met and spent time with in my life have all been, you know almost universally met with indifference. That’s kind of the more normal story in the arts and I, in the back of my mind thought I’d love to make a music movie about a guy who didn’t make it, like that would be true to life. I’d like to see that movie and that intersected one night, I’ve been friends with Mr Dickey here for I don’t know 15 years or so and it was a couple of new years eves ago we were sitting around the fire and Ben started playing Clay Pigeons and the idea I said out loud you should play Blaze Foley in a movie and Ben laughed and I kind of….synapses in the back of my neck exploded and I was like I think I’m supposed to do that.”

This quote really stuck with me in the same way that the film did. It is a film that subtly takes a hold of you and doesn’t let go. I don’t listen to a lot of folk music, I appreciate it as I do all music but it’s never on my playlist so without a recommendation from my dear friend and fellow film lover, the very talented writer, Adam Nightingale, I may never have seen it. I do like Ethan Hawke though, I rate him as an actor and an artist who constantly makes interesting films and always seems to choose from the left of centre which is massively refreshing for a film star.


Let’s talk about Ben Dickey, who plays Blaze Foley in the film for a minute. His performance in this is deserving of all the awards. He is not an actor. I repeat he is not an actor. He is a musician which gives the film an authenticity most music bios lack. He is joined by another musician of massive note, Charlie Sexton who plays Blaze’s friend, real life singer songwriter, Townes Van Zandt. This is one of the main reasons the film hits another level of realism. Ben Dickey clearly has a charisma that shines through the screen and brings Blaze to life and his ability to show the pain is evident.

Blaze lived a short life but his songs touched many. The film opens with a quote by Willie Nelson: “There was a lot to ‘ol Blaze” and Willie recorded a cover of one of Blaze’s songs ‘If I Could only Fly’ with another musical legend Merle Haggard in 1987 so clearly this was an artist with talent and great songwriting skills.

Bring on more tales of the unsung artists. After all there are countless documentaries already out there about the famous and lauded. When I saw the Straight outta Compton film all I wanted to do afterwards was watch an actual documentary about the group to wash the taste of artifice out of my mouth. It wasn’t a bad film it just had too much Hallmark about it, as in the drama was too pointed, it lacked subtlety. This is the issue I usually have with biopics, we already know too much about the subject(s) and have already formed our opinions but if the subject is new to us we can approach the film with a blank slate. Many people love these biopics and I’m definitely not saying that they are wrong, merely that the average biopics are not really my lane.


There is a lovely swan song cameo from Kris Kristofferson playing Blaze’s father and cameos from three greats as the oilmen who sign Blaze to make music for them. Wyatt Russell is great as the the owner of the treehouse that Blaze and Sybil live in for a time but the heart of the film belongs to Alia Shawkat who play the love of Blaze’s life, Sybil Rosen (who incidentally plays her own mother in the film). The film is based on Sybil Rosen’s book ‘Living in the Woods in a Tree: Remembering Blaze Foley. Alia gives a performance filled with love, longing, understanding, joy and pain and is wonderful, like Rosen, Shawkat really is the heart of this film.


I think it’s important to wave the flag for films that may have flown under the radar and that is why I’m doing a piece on this one.

See it now on Disney Plus.

Directed by Ethan Hawke

Starring: Ben Dickey, Alia Shawkat, Josh Hamilton, Charlie Sexton, Kris Kristofferson and Wyatt Russell.