DREAM SCENARIO (2023)


The Nicholas Cage renaissance continues with another great, quirk-filled performance. Here Cage is playing a doubly extra ‘ordinary’ college professor, Paul Matthews who starts randomly appearing in people’s dreams. 

An old college friend is on the verge of publishing a paper that Paul feels plagiarizes his ideas.
Soon after, he bumps into an old girlfriend who writes an article about him appearing in her dream and tags him on Facebook which opens the floodgates to people everywhere admitting they have also dreamt about him.

"Look at me Pa, I'm flying."
Jessica Clement and Nicholas Cage in Dream Scenario

“Look at me Pa, I’m flying.”
Jessica Clement and Nicholas Cage in Dream Scenario

He finds out that he is the same in almost everyone’s dreams, he does nothing, just appears without engagement.

A man who just observes, an unimpressive man who is far from active. 

This is reflective of his real life persona, a man who has been meaning to write a book for years but hasn’t yet written a page.

His desire to be ‘special’ is especially relevant in this world of social media and the potential or idea of going viral. It somehow feels like validation but like the idea of winning the lottery.
In the immortal words of Admiral Ackbar: “It’s a trap.”

The consequences of begging.
Nicholas Cage in Dream Scenario

The consequences of begging.
Nicholas Cage in Dream Scenario

Even an ordinary 60-something professor, who seems to have no real ambition, longs to be treated specially. This socio-personal commentary by Norwegian director, Kristoffer Borgli couldn’t be more prescient. We all suffer from it in one way or another. Whether we latch onto a conspiracy theory to make ourselves feel ‘special’ or somehow feel clued into something outside the norm of society or the hope that that the picture of our food we posted on Instagram goes viral and we are awarded validation by likes, this is a modern day problem. Nic Cage’s Paul is no different from you or me. 

As normy as he is, we are all Paul in one way or another. 

Like Sully said in the last season of Top Boy: 
“Don’t beg. It’s disgusting”.

Too. Many. Thoughts.
Nicholas Cage in Dream Scenario

Too. Many. Thoughts.
Nicholas Cage in Dream Scenario

The cast are all brilliant in this A24 film including the über talented Julianne Nicholson, who plays Paul’s wife, Janet and the ever-brilliant Michael Cera, who plays the head of a company Thoughts. Dylan Gelula plays Molly, an assistant at Thoughts and also has dreams which feature Paul, in which he is anything but passive. The comedian Tim Meadows as the dean of the college where Paul works. Lily Bird and Jessica Clement play Paul and Janet’s daughters, Sophie and Hannah and we get a big treat with the inclusion of the always ace Dylan Baker who plays one of Paul’s old friends. Also worth mentioning, there is a cameo from Amber Midthunder taking a break from hunting Predators and the excellent Nicholas Braun as the head of a dream company.

All the cast are on point.

Dylan Gelula, Michael Cera and Kate Berlant in Dream Scenario

Dylan Gelula, Michael Cera and Kate Berlant in Dream Scenario

This is a film about the subconscious bleeding into the real world of sorts. A metaphor for deep desires that will never really give us what we want. A cautionary tale or a reality cheque that needs cashing in immediately and investing elsewhere.

The dream sequences are brilliant, hilarious and sometimes terrifying, all kudos to the editor, writer and director Borgli, he has truly delivered one of the most original, interesting and refreshing films of the year.

My take is that the whole film is a dream, or at least dream-like in its delivery.
Nicolas Cage’s performance seems stylised and slightly dialled up from the rest of the cast and I think this is deliberate. From the film opening with Paul’s daughter’s dream to the final sequence it could definitely be seen as a fever dream about one person’s desperate desire to be seen.

Out in Australia on January 1st, 2024.

Out already in the United States of America and the United Kingdom.

CAT PERSON (2023)

Last week week I saw 4 films at the cinema: Saltburn, Thanksgiving, Dream Scenario (also featuring Nicholas Braun) and this one; Cat Person.

In the movie trailers featured when I saw Saltburn there was a trailer for this one. I closed my eyes, blocked my ears and tried to take in as little as I could so as not to spoil it.
I wanted to go in clean, no prejudice, no expectations.
I knew Cat Person was based on a New Yorker short story and the word was that it wasn’t meant to be as good as the story (I disagree, it’s equally good).

Emilia Jones and Nicholas Braun in Cat Person

Emilia Jones and Nicholas Braun in Cat Person

Sophomore student, Margot (Emilia Jones) begins a relationship with an older man, Robert (Nicholas Braun) and emotions and thoughts escalate the situation. 

The perils of modern day dating, or really just dating, whatever era you live in. The age old dilemma of trying to find love, connection and companionship go south in this psychological comedy thriller.

After watching the film I read the short story written by Kristen Roupenian and the film, although obviously expanded, kept pretty much all of the story and 90% of the dialogue was verbatim.

The story was well written and shows how quickly things can go pear shaped.
Cat Person is enjoyable, funnier than the article which was down to the casting, writing and the actors involved. 

Geraldine Viswanathan and Emilia Jones in Cat Person

Geraldine Viswanathan and Emilia Jones in Cat Person

Emilia Jones portrays Margot, a 20 year old college student with the right balance of smarts and naiveté. Jones is an English actress who was excellent as the lead in the outstanding CODA. Nicholas Braun gives the perfect amount of awks, humanity and possible threat as Robert. Isabella Rossellini plays Margot’s tutor and is always a welcome addition to a cast, she was great as Marcel’s grandmother in Marcel the Shell with Shoes On. Australian actor, Geraldine Viswanathan is a great best friend who is filled with her own issues; shit, who isn’t? Hope Davis delivers another top performance as Margot’s mother, herself filled with issues.
Special mention goes to Lisa Colón-Zayas who plays Officer Elaine, she’s also in The Bear, which is a top series.

Emilia Jones and Isabella Rossellini in Cat Person

Emilia Jones and Isabella Rossellini in Cat Person

On Monday I started to read The Outsider by Albert Camus, I had picked it up from my childhood home when I was back there visiting my Mother a few months ago and it looked interesting and short and maybe easy to pace through. I had finished it by Thursday when I saw Cat Person.
In The Outsider (L’Étranger) the main protagonist, Mersault, finds himself in a situation where he is judged for an act that he seems unconnected to and is condemned by society for telling the truth, his truth, a truth that is not in line with the common thinking.
In Cat Person, a truth revealed spirals the whole situation out of control, the truth told in Cat Person would normally be avoided to save hurting someone’s feelings.

The real world is so far away from where our imaginings take us. The stories we tell ourselves are filled with fears, insecurities and lies for the most part and have little to do with reality. Until our dangerous thoughts become manifest one way of another. 
We really do create the world we live in, whether it’s actually real or not.
We seem to be so afraid to ask direct questions in case we are thought of as an idiot (men being laughed at) or less than cool and this is a big problem and leads us down too many unneccesary roads. 
When did hiding become the norm, were we always judged as harshly as we imagined or is this a modern problem? The social etiquette line is a thin one to walk.

Directed by Susanna Fogel and adapted by Michelle Ashford, Cat Person addresses these issues and entertains at the same time. Who said entertainment couldn’t teach us something? So, best to tell the truth like Mersault, unless it’s not best, which at times, it clearly isn’t.

See it now at a cinema near you.
119 Minutes