Film

THE LONG WALK (2025)


“Just when I thought I was out…they pulled me back in”

In 2023 Justin Mollner wrote and directed the serial killer thriller*, Strange Darling, which took me by surprise. Nowadays, that’s all I ask of my media. To be surprised and moved in some way shape or form.
His writing and direction did just that.

FFWD to today (Wednesday 24th September 2025) and I just came back from seeing The Long Walk, based on Stephen King’s (as Richard Bachman) book of the same name, directed by Francis Lawrence and written/adapted by Justin Mollner.
I’m a fan. Of the film and of Mollner’s writing.

Let’s go back to April 2022 and having taken a hiatus from writing I was inspired to put fingers to keyboard to write about one of my favourite films for a long time. 
Everything Everywhere All at Once. That film did something. Surprised, moved and excited me for the first time in a while. This prompted me to get back to my movie blog and write again.

This year I’ve been slack and I haven’t written anything since October 2024. 10 months. 

And just when I thought I was out…..
That’s a joke, really.
I needed to be inspired to get back on the writing horse and here we are. Giddyup.

David Jonsson as McVries, Cooper Hoffman as Garraty, Jordan Gonzalez as Harkness, Ben Wang as Olson, and Tut Nyuot as Baker in The Long Walk. Photo Credit: Murray Close/Lionsgate

The Long Walk is a beautiful, tragic, human story set in a not too distant dystopian future where a second civil war (pertinent/timely???) has left America financially destitute. The Long Walk refers to a national yearly sport where fifty teenage boys are selected randomly to partake in a survival walk that ends with one winner, while the other 49 all get their tickets stamped.

Battle Royale came to mind as did The Hunger Games, which if we’re being honest, although still decent, is really Battle Royale lite.
A savage game that pits kids against each other with the losers all being dispatched in some messed up way. **

The Long Walk reminded me of another of King’s film adaptations and one of my all time favourite films, Stand By Me.
Friendship, trauma and a human story that contains moments of beauty and profound and genuine poetry. This one shares DNA with that classic.

Mark Hamill as The Major in The Long Walk. Photo Credit: Murray Close/Lionsgate

This adaptation has been a long time coming.
In 1988, George A Romero was touted to make it and when that didn’t happen, Frank Darabont (who had previously directed two of the great Stephen King adaptions and one that is probably considered among the greatest films of all time*** The Shawshank Redemption and followed that with The Green Mile) tried unsuccessfully to get it made.

Then James Vanderbilt (Zodiac/The Amazing Spider-Man) and André Øvredal (Trollhunters, Scary Stories to Tell in the Dark, The Last Voyage of the Demeter) were also attached along the way. In 2023, Lionsgate committed to producing the film with The Hunger Games director, Francis Lawrence**** attached. 

Lawrence directs his incredibly talented cast headed by Cooper Hoffman, who is doing his Dad proud and English actor and RADA alum David Jonsson, who was recently in Alien:Romulus*****

Other young support comes from Garrett Wareing, Charlie Plummer, Ben Wang, Joshua Odjick and another couple of Brits, Tut Nyuot and Jojo Rabbit’s Roman Griffin Davis. Each of them give great work that will hopefully propel them into future great performances.
Although, unfortunately acting is not a meritocracy. Even with great success, offers are not always forthcoming. I hope that these young actors navigate their careers well and are rewarded for the work they did in this film.

The always excellent, Judy Greer gives a heart-wrenching performance as the mother of Cooper Hoffman’s Ray Garraty and the mighty Mark Hamill gives an unwavering turn as The Major, the man in charge of the walk. Hamill, who has had a tremendous run throughout his life is turning in some of the best performances in this stage of his career.
The Life of Chuck and The Fall of the House of Usher, both helmed by Mike Flanagan are two that come to mind.

Jeremiah Fraites (co founder of folk-rock group The Lumineers) scores the film with a stunning, subtle soundtrack that never over-eggs the film and always supports the action on screen. It is well worth a listen as a standalone piece of music (see below :O)).
He had previously worked with Lawrence on a couple of tunes for the Hunger Games movies and this is his feature film composing debut.


The upcoming Edgar Wright new adaptation of The Running Man shares Venn diagram with The Long Walk and both being adapted from King’s works looks to be the third great adaptation this year after the excellent The Life of Chuck.

I have read very little King over the years and I think it’s time to change that. I was always a bit snobbish about it and don’t think I had any right to be so. Judgement error. My bad. I’ve just ordered the book that this film was based on to start me rectifying this miscalculation.
“To err is human, to forgive is divine”. So dear readers and Mr King, please forgive me. It should be said that I am a fan of his witticisms and comments on twotter******.

The relationships between the walkers are layered, real and have dimensions not always seen these days. Brotherhood displayed with vulnerability, strength and connection.
In a time where mental health amongst men is at a low with many succumbing to the false hope of the manosphere and misinformation online, where, in order to supposedly thrive you must eschew any perceived weakness, this is a film that shows young men being vulnerable and the importance of true friendship.
Vulnerability is strength.
Support is necessary.
Friendships are imperative.

This film is on my list of top films of this year.
I’ll double bill it with The Life of Chuck and maybe turn it into the triple along with The Running Man as the King adaption triumvirate of 2025.

Like Gordie’s final thoughts at the end of Stand By Me:
“I never had any friends later on like the ones I had when I was twelve. Jesus, does anyone?”

The same could be said for the walkers in The Long Walk.

Go see it if its still showing at your local cinema. The big screen is the best way to see a film like this that manages to be entertaining, thrilling and moving.
Shit, that’s what films are meant to be, right?

107 Minutes

* Serial thriller? Skiller thriller? Skrrrt thriller? Scriller killer?
** Are all these films just a metaphor for the way the adults have ruined the world for the generations to come, the youth dem?????
*** I’m not sure I’m on board with that call, I may have to put it through the Punching Up Movie Podcast ringer to see how it comes out in the wash.
**** Has Lawrence got some obsession with killing kids?
Onscreen, of course.
*****As I’m currently watching Alien:Earth and enjoying it, Jonsson’s involvement gives me more reason to watch Alien:Romulus.
****** I know what it’s really called but am not gonna name the beast.

LEE (2024)


Remove lens cap………..

This is the story of famed photographer, Lee Smith who went from a successful career as a model to a photographer who took some of the most powerful and vital pictures for Vogue during World War 2.
We are taken through Smith’s transition from model and bohemian artist to her need to help wth the war effort through her striking photography.

Photography has always been one of my one passions, the power and impact of the still image can never be overstated. The photographs Lee captured at the end of WW2 are a poignant. testament to the brutality, the fragility and the resilience of life. These images serve not only to remind us but as enduring records of our shared history. Yet, despite the countless times we are confronted with these reflections of our past, we often turn a blind eye, ignoring their importance.
Lest We Forget.
Nearly 80 years has passed since the end of World War 2 and still, atrocities continue. What is wrong with us? Are we so blind or we are predisposed to destruction, killing, savagery and unspeakable cruelty.

Where is our collective empathy? We feel it when we see these haunting images of violence and suffering, and that is why we need stories like Lee’s. 

The Bohemian years. Kate Winslet as Lee Smith in Lee
The Bohemian years.
Kate Winslet as Lee Smith in Lee

What drives someone to willingly put themselves in harm’s way to capture a fleeting moment? For Lee Smith, it was a desire to be useful. A gifted photographer, who was living in London in 1945, and felt compelled to contribute in some meaningful way. Determined to make a difference, she approached Vogue with a proposal: to travel to the front lines and document the war’s unfolding events through her lens. As expected, the idea was initially dismissed—it was a man’s world, and assignments like this rarely went to women. But perseverance can achieve remarkable things, and Lee refused to back down. Eventually, her persistence paid off, and she made her way to Germany, where she captured on film the final days of World War II.

Alex Garland’s recent Civil War is also about reportage, with the photographers being non-biased, non-partisan, simply determined to capture an honest record of the events unfolding. 

War photographers are just that. Witnesses.
They venture into places most people would avoid at all costs, even soldiers if given a choice, to take pictures, to remember, to make a record, to bear witness.

Picture this. Kate Winslet as Lee Smith in Lee
Picture this.
Kate Winslet as Lee Smith in Lee

Kate Winslet is truly a national treasure and it seems another Oscar nod could be on the horizon for the great actress. She is consistently brilliant, always bringing believability and honesty to her work. She never fails to imbue her characters with three dimensions, a true humanity that always feels layered and lived in.

The rest of the cast are, without exception, fabulous. Alexander Skarsgard shines as Roland, Lee’s great love, while Josh O’ Connor delivers a gentle and compelling performance as Antony who interviews Lee in her later years. Andy Samberg takes on the role of  David Scherman, Lee’s fellow photographer and friend,  and brings his usual charm to the role. Marion Cotillard as her friend, Solange with grace and elegance and the rising French star, Noemie Merlant impresses as Nusch Eluard. Special mentions go to Samuel Barnett and Andrea Riseborough as Audrey Withers and Cecil Beaton of Vogue London respectively, who both have a blast with their character work.

The film is based on a 1995 biography, The Lives of Lee Miller and the mighty Alexandre Desplat is on soundtrack duties, again delivering a beautiful score.

The director, Ellen Kuras makes her feature film debut with confidence and clarity. She has been in the film business for a while primarily working as a cinematographer for the likes of Spike Lee (on He Got Game, Summer of Sam and Bamboozled), Ted Demme (on Blow), Jim Jarmusch (on Coffee and Cigarettes) and Michel Gondry (on both Eternal Sunshine of the Spotless Mind and Be Kind Rewind). She had previously worked with Kate Winslet on Eternal Sunshine and long term associations can lead to great trust and a shorthand that have the potential to create special works.

The film took 8 years to make. Years ago Ellen Kuras read a book about Lee Smith and sent it to Winslet. Sometime later when Winslet started developing a movie project about Smith she asked Kuras to direct it and now the world gets to know and see who the talented and brave Lee Smith was.
And so they should.
This is an important film about standing up for something honourable.
We all need a bit of this in our lives.

Replace lens cap…..

See it now at a cinema near you.

116 Minutes