PRISCILLA (2023)


Sofia Coppola directs the story of Priscilla Presley from the age of 14 to 26.
The film is based on Priscilla’s book: ‘Elvis and Me’, so the source material is, at least, seemingly authentic and shows a previously unseen side to this part of the story.

I never saw Baz Luhmann’s recent Elvis and if you gave me the choice I’m always betting on Sofia Coppolla over Baz.
Elvis gets the money and the glitz and Priscilla gets the unflashy treatment and consequently is probably more real.

Cailee Spaeny plays Priscilla in Sofia Coppola's film

Cailee Spaeny plays Priscilla

What did I think?
What did I feel?

At first I thought and felt, she is very young, how can this be ok? but as the film progressed you get to see her journey and experience through young Priscilla’s eyes.
Coppola gives us a version of events that show Priscilla falling in love and feeling like the centre of attention all the way to being sidelined in the circus that was the life of Elvis and all that came with it.

Cailee Spaeny and Jacob Elordi in Priscilla

Cailee Spaeny and Jacob Elordi in Priscilla

Cailee Spaeny is fantastic as Priscilla.
I believe her. She is, for the most part, fully connected to the role.

I first saw her in the Alex Garland’s excellent Devs and then in Mare of Easttown and she is going to be featured in Alex Garland’s new film Civil War later in the year, which looks VERY interesting.
She was recently nominated for a Golden Globe for this performance and definitely deserves the nod.

Jacob Elordi gives another great performance after his modern day aristocrat with a cut glass English accent in Saltburn, this time sounding like ….. ‘the king’. 
I like it when accents are attempted* and even better when they work.
(*I’m looking at you, Joaquin).

Also starring Dagmara Domińczyk, who was brilliant in Succession and the recent comedy film, Bottoms, here playing Priscilla’s conflicted mother, Anne.

Cailee Spaeny in Priscilla

Cailee Spaeny in Priscilla

The film belongs to Cailee though, she gives a layered performance from young girl to young woman. 
Priscilla was 14 when she first met Elvis, was 21 when they got married, 22 when she had Lisa Marie and then 26 when she finally left Elvis. 
The film charts the journey of her life with Elvis from 1959 to 1972 and Cailee gives everything to the role and will be and is being lauded as deserved.

The music choices in the film are pure Sofia, she has a punk rock aesthetic. 
Her hand was forced by the Elvis estate who didn’t give permission to use songs by ‘the King’ and consequently she gets her creative on and her choices are eclectic and brilliant. 
We get Alice Coltrane, The Ramones, Frankie Avalon, Brenda Lee and the Righteous Brothers and a brilliant use of ‘I Will Always Love You’ by Dolly Parton. 
By not using Elvis’ music we get to focus much more on Priscilla. This is a good thing. His songs would probably have gotten in the way and maybe sucked all the air out of the screen.

Jacob Elordi, Cailee Spaeny and Sofia Coppola on the set of Priscilla

Jacob Elordi, Cailee Spaeny and Sofia Coppola on the set of Priscilla

The film never really leans into the emotional highs of the story and that’s definitely a conscious director’s decision. Again, unflashy and embued with a welcome unsentimentally.

The film was well directed, performed and presented.
Cailee is proving herself to be an actor of great talent and I loved how gentle the film was by treating the subjects with warmth and compassion and leaving all judgements at the door, where they belong.
What a journey it must have been for her and we are lucky that Sofia Coppola has given us a version of this story.

Distributed by A24 and Stage 6 Films and released in Australia on 18th January 2024.
114 Minutes

BLAZE (2018)


Blaze Foley lived a short and eventful life. He had heaps of talent but combine that with the self destructive gene many artists possess and success was beyond his reach.

Ethan Hawke directs this beautiful, tender portrait of an artist who didn’t reach the heights he may, like many others, have attained. In an interview Hawke talked about the desire to make a film about an artist who didn’t make it:

“One of the things about music biopics is that they’re always about Ray Charles or Johnny Cash or somebody who made it big, and the subtext of that is always that the making it big is what made their life story worth telling and the great mass of musicians that I’ve met and spent time with in my life have all been, you know almost universally met with indifference. That’s kind of the more normal story in the arts and I, in the back of my mind thought I’d love to make a music movie about a guy who didn’t make it, like that would be true to life. I’d like to see that movie and that intersected one night, I’ve been friends with Mr Dickey here for I don’t know 15 years or so and it was a couple of new years eves ago we were sitting around the fire and Ben started playing Clay Pigeons and the idea I said out loud you should play Blaze Foley in a movie and Ben laughed and I kind of….synapses in the back of my neck exploded and I was like I think I’m supposed to do that.”

This quote really stuck with me in the same way that the film did. It is a film that subtly takes a hold of you and doesn’t let go. I don’t listen to a lot of folk music, I appreciate it as I do all music but it’s never on my playlist so without a recommendation from my dear friend and fellow film lover, the very talented writer, Adam Nightingale, I may never have seen it. I do like Ethan Hawke though, I rate him as an actor and an artist who constantly makes interesting films and always seems to choose from the left of centre which is massively refreshing for a film star.


Let’s talk about Ben Dickey, who plays Blaze Foley in the film for a minute. His performance in this is deserving of all the awards. He is not an actor. I repeat he is not an actor. He is a musician which gives the film an authenticity most music bios lack. He is joined by another musician of massive note, Charlie Sexton who plays Blaze’s friend, real life singer songwriter, Townes Van Zandt. This is one of the main reasons the film hits another level of realism. Ben Dickey clearly has a charisma that shines through the screen and brings Blaze to life and his ability to show the pain is evident.

Blaze lived a short life but his songs touched many. The film opens with a quote by Willie Nelson: “There was a lot to ‘ol Blaze” and Willie recorded a cover of one of Blaze’s songs ‘If I Could only Fly’ with another musical legend Merle Haggard in 1987 so clearly this was an artist with talent and great songwriting skills.

Bring on more tales of the unsung artists. After all there are countless documentaries already out there about the famous and lauded. When I saw the Straight outta Compton film all I wanted to do afterwards was watch an actual documentary about the group to wash the taste of artifice out of my mouth. It wasn’t a bad film it just had too much Hallmark about it, as in the drama was too pointed, it lacked subtlety. This is the issue I usually have with biopics, we already know too much about the subject(s) and have already formed our opinions but if the subject is new to us we can approach the film with a blank slate. Many people love these biopics and I’m definitely not saying that they are wrong, merely that the average biopics are not really my lane.


There is a lovely swan song cameo from Kris Kristofferson playing Blaze’s father and cameos from three greats as the oilmen who sign Blaze to make music for them. Wyatt Russell is great as the the owner of the treehouse that Blaze and Sybil live in for a time but the heart of the film belongs to Alia Shawkat who play the love of Blaze’s life, Sybil Rosen (who incidentally plays her own mother in the film). The film is based on Sybil Rosen’s book ‘Living in the Woods in a Tree: Remembering Blaze Foley. Alia gives a performance filled with love, longing, understanding, joy and pain and is wonderful, like Rosen, Shawkat really is the heart of this film.


I think it’s important to wave the flag for films that may have flown under the radar and that is why I’m doing a piece on this one.

See it now on Disney Plus.

Directed by Ethan Hawke

Starring: Ben Dickey, Alia Shawkat, Josh Hamilton, Charlie Sexton, Kris Kristofferson and Wyatt Russell.