BIRDEATER (2024)


Louie (Mackenzie Fearley) invites his bride-to-be, Irene (Shabana Azeez), to his Bucks/Stag party. What begins as a modern and progressive gesture soon descends into an uncomfortable exploration of a relationship that may not be as it appears.

This low-budget thriller/horror film is the debut feature from Australian filmmakers Jack Clark and Jim Weir. They have collaborated since their time at the acclaimed AFTRS (Australian Film Television and Radio School), where they studied together and went on to work on several short films. For this one, Clark took on writing duties and they both co-directed.

Early in the film, we see a massive poster of Wake in Fright on the wall of one character’s homes, not-so-subtley hinting at the direction the film may take. Drawing inspiration from the Australian New Wave classic horror film Wake in Fright (1971), which portrayed a young school teacher’s descent into madness and moral decay in the Australian outback, Birdeater delves into themes of toxic masculinity, manipulation, collusion, and deeply hidden agendas.

Sam (Harvey Wilson) and Irene (Shabana Azeez) in Birdeater

Sam (Harvey Wilson) and Irene (Shabana Azeez) in Birdeater

The film raises thought-provoking questions without offering clear answers or even suggestions. The intent seems to be to highlight these societal issues and encourage viewers to come to their own conclusions. While the actors deliver believable performances, the film occasionally suffers from trying too hard to make its points. The interactions between characters, while mostly effective, could have been smoother and more authentic.
These are minor criticisms in the grander scheme.

Dinner time and speeches in Birdeater

Dinner time speech by Dylan (Ben Hunter) in Birdeater

The Wake-in Frightness of it all is the most intriguing aspect of the film enhanced by the artistic touches of first-time cinematographer, Roger Stonehouse and editor Ben Anderson.

The cast and crew have succeeded in creating a decent film that explores the darker sides of relationships and their efforts suggest promising futures ahead. Stand out Ben Hunter delivers an unhinged and layered performance as Dylan, Louie’s best mate and Shabana Azeez and Mackenzie Fearley also give top performances as the ‘happy’ couple in this indie thriller.
It’s not perfect but is interesting nevertheless.

Distributed by the excellent Umbrella Entertainment, Birdeater is out now at cinemas in Australia.

1hr53mins

YOU’LL NEVER FIND ME (2024)


A violent thunderstorm rages outside an isolated caravan park as a man sits alone at his table drinking in his mobile home. There is a loud knock at the door and a woman is stood there asking for help, he lets her in and this two-handed thriller begins. 
Who are these people and what are their intentions? 
Therein lies the question.

Colour me intrigued.

This film from Australian first-time feature directors, Indianna Bell (who also wrote it) and Josiah Allen (who also edited it) brings a clever psychological horror film that plays with your expectations and keeps you guessing right until the very end.

Brendan Rock in You'll Never Find Me

Brendan Rock in You’ll Never Find Me

Taking inspiration from the book of Mike Flanagan, who the directors have an admiration for, it has touches of Flanagan’s Hush to it and the pared down two-hander allows for tension, unease and suspense that relies on a taut script and some decent acting.

A lot of the heavy lifting is done by the sound design, cinematography and editing regarding the tension and the actors, Brendan Rock and Jordan Cowan are both believable, committed and grounded in their character’s experience with the use of one location, the trailer-home, adding to the claustrophobia that both characters are feeling.

Jordan Cowan in You'll Never Find Me

Jordan Cowan in You’ll Never Find Me

If you’re in the mood for an unsettling otherness, see this on a big screen in a darkened room with others. 
The tension is palpable.

You’ll Never Find Me is an ambitious debut and shows off the potential of its directors.
See it now at a cinema near you.

96 Minutes