TATTOO NATION (2012)

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Get yer tats out.

Having seen the trailer a few years back it was with excitement that this documentary came along. Primarily because of the inclusion of Danny Trejo, who has built a big career for himself in his later years. (Danny Trejo as a tough guy, yes, Liam Neeson, no). His story is but a small addition to this detailed look into the growth of the tattoo in the 20th century.

From the prison style to the black and grey to the full body colour suits that Ed Hardy brought over from Japan, director Eric Schwartz gives us a previously unseen insight into how tattoos have become acceptable, maybe even a mandatory part of culture from the frowned upon image they used to have.

The Mexican, Chicano culture embraced tattoos as a way of claiming their individual identity and stamping their culture onto their skin. The body as a canvas to express creativity can become art in one of its purest forms. We’re not talking about random Chinese symbols here, more the element of story telling, self expression and the extent to which this is possible.

Gone are the days of going into a parlour and only getting to choose from templates (anchors, swallows etc), now it is a big business with clients having meetings with their tattooist and many discussions before putting ink to skin. No longer the pissed up, drop in style of old (although I’m sure that style still exists in some places), tattooing has now been elevated to a common part of society.

The transition between the tribal style being disparaged to becoming badges of honour and ways of expressing oneself has been exponential in the last 30 years and is now an accepted part of culture as an art form and so it should be. Some of the greatest tattooists are exactly that, artists.

This documentary is well worth a watch giving the viewer a previously unseen look into the recent history of this interesting art-form.

3.5/5

BUY THE DVD HERE

 

IL DIVO: LA SPETTACOLARE VITA DI GIULIO ANDREOTTI (2008)

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The star: the spectacular life of Giulio Andreotti, Italian politician and seven time premier during the 1970′ and 1980’s.

Italian politics for the uninitiated is complex but that doesn’t mean it can’t be enjoyable and infotaining. Even without a working knowledge of the politics of the time one can still thoroughly enjoy this operatic slice of cinema.

There is a punk aesthetic that this film begins with, hitting the viewer with beautifully shot images of various political assassinations of the time. Consequently similarities arise in tone at times to Goodfellas especially in the way characters are introduced and subsequently disposed.

Il Divo confirms that Paolo Sorrentino is one of this generation’s greatest directors.
All his Italian films are incredible and thus far he has written not a note out of place.
Toni Servillo, his muse, delivers another great performance as Giulio Andreotti, studied, still and sublime. He is De Niro to Sorrentino’s Scorsese and secures his place in the top ten of my favourite actors working today.

The soundtrack is always a big part of Sorrentino’s films (like Scorsese) and the last tune of the film seems to encapsulate Andreotti perfectly. Luca Bigazzi, Sorrentino’s trusted cinematographer is back framing the shots with an artistic aesthetic.

A question.
Why is Fanny Ardant uncredited? I understand the lack of accreditation in La Grande Bellezza as that was literally fleeting but she has a nice scene early on in this film that warrants a credit. Everyone has their reasons for sure but it is a curiosity indeed.

There is a quote from Rosa Falasca Andreotti (Giulio’s mother) at the beginning of the film:

“SE NON POTETE PARLARE BENE DI UNA PERSONA, NON PARALTENE”

“If you cannot speak well of someone, don’t speak about them”

And while it is difficult to keep opinions to oneself when it comes to a major politician who supposedly works for you, the people, this quote is filled with a deep wisdom.

Remember, just because you don’t follow the minutiae doesn’t mean you can’t enjoy it.

4/5

BUY THE DVD HERE

DOWNLOAD THE FILM ON iTUNES HERE