LONGLEGS (2024)


Make sure you say your prayers.………”

FBI Agents are on the tail of a serial killer, Longlegs who has been on a killing spree for many years.

Thank the maker. It’s been a while since I’ve been proper shook by a horror film.

I love seeing a horror that is inventive, attempting something new, well made and actually being scary.
So far, this year I have seen You’ll Never Find Me, Imaginary, Immaculate**, The First Omen, Late Night with the Devil*, Arcadian, Sting, When Evil Lurks*, The Substance**, I Saw the TV Glow, Exhuma*, In a Violent Nature*, Maxxxine and now Longlegs**.

(One star for highly enjoyable and 2 for inclusion in my list of films of the year).
So, that’s 3 horror films that have made the end of year list so far.
Impressive, huh?


Everything about this film is on point. Let’s start with the acting.
Nicholas Cage for Best Supporting Actor please. I have never seen him so truly unhinged in a (mostly) contained way. Absolute mastery of the craft, his voice, his physicality, his commitment to the role, his hair and make up is outstanding.
Maika Monroe is absolutely brilliant as Agent Lee Parker, all FBI buttoned up shirt and personality, almost savant like and utterly believable.
Alicia Witt is amazing as Harker’s mother, Ruth. We hear her on the end of a telephone call before we see her and there is a brokenness in her voice that you understand as the film reveals her story.
Blair Underwood is a sturdy actor, who I haven’t seen for a while but here he brings his usual grounded, believable characterisation to the role of Agent Carter.

Some of the smaller roles are equally brilliant with Shafin Karim giving some light relief as a Doctor who the FBI agents interview. Kiernan Shipka gives a masterful performance as Carrie Anne Camera, a patient who has recently come out of catatonia and delivers some truly creepy lines with a monologue in a way that is both unexpected and unnerving. Great acting choices.

Bea Perkins (the director’s daughter) is also fantastic as a teenage shop clerk who is all millennial and unimpressed.

And now let’s talk a bit about the director, Osgood ‘Oz’ Perkins. His background is fascinating and goes someway to understanding his work.
He is the son of Norman Bates himself, Anthony Perkins, who died in 1992 from AIDS and Osgood’s mother was Berry Berenson, and actress and photographer who was on American Airlines Flight 11when it was hijacked and crashed into the North Tower of the World Trade Centre on September 11th 2001. Osgood has admitted in interviews that he uses movies to explore the trauma he has experienced.

He is clearly channeling something visceral and close to the bone when making his films.

“Aaaah, there she is”

The music plays a big part in creating an atmosphere of dread conceived by Zilgi, a pseudonym for Elvis Perkins (the brother of the director). It has a pulsating drive to it that is ominous and fear-inducing. Exquisitely horrifying.

When I saw the very disappointing Maxxxine recently they showed the trailer for this and I turned my head and covered my ears. I wanted to go in as uninformed about the Legs of Long as possible. Having seen the trailer since, I realise it gives little away.

If you like your horror truly terrifying go and see Longlegs in a darkened cinema with an audience. The only true way to see films, especially great horror films. This truly is a great. Silence of the Lambs given the Satanic treatment. Absolutely brilliant.

1Hr41Mins

BIRDEATER (2024)


Louie (Mackenzie Fearley) invites his bride-to-be, Irene (Shabana Azeez), to his Bucks/Stag party. What begins as a modern and progressive gesture soon descends into an uncomfortable exploration of a relationship that may not be as it appears.

This low-budget thriller/horror film is the debut feature from Australian filmmakers Jack Clark and Jim Weir. They have collaborated since their time at the acclaimed AFTRS (Australian Film Television and Radio School), where they studied together and went on to work on several short films. For this one, Clark took on writing duties and they both co-directed.

Early in the film, we see a massive poster of Wake in Fright on the wall of one character’s homes, not-so-subtley hinting at the direction the film may take. Drawing inspiration from the Australian New Wave classic horror film Wake in Fright (1971), which portrayed a young school teacher’s descent into madness and moral decay in the Australian outback, Birdeater delves into themes of toxic masculinity, manipulation, collusion, and deeply hidden agendas.

Sam (Harvey Wilson) and Irene (Shabana Azeez) in Birdeater

Sam (Harvey Wilson) and Irene (Shabana Azeez) in Birdeater

The film raises thought-provoking questions without offering clear answers or even suggestions. The intent seems to be to highlight these societal issues and encourage viewers to come to their own conclusions. While the actors deliver believable performances, the film occasionally suffers from trying too hard to make its points. The interactions between characters, while mostly effective, could have been smoother and more authentic.
These are minor criticisms in the grander scheme.

Dinner time and speeches in Birdeater

Dinner time speech by Dylan (Ben Hunter) in Birdeater

The Wake-in Frightness of it all is the most intriguing aspect of the film enhanced by the artistic touches of first-time cinematographer, Roger Stonehouse and editor Ben Anderson.

The cast and crew have succeeded in creating a decent film that explores the darker sides of relationships and their efforts suggest promising futures ahead. Stand out Ben Hunter delivers an unhinged and layered performance as Dylan, Louie’s best mate and Shabana Azeez and Mackenzie Fearley also give top performances as the ‘happy’ couple in this indie thriller.
It’s not perfect but is interesting nevertheless.

Distributed by the excellent Umbrella Entertainment, Birdeater is out now at cinemas in Australia.

1hr53mins