BOYHOOD (2014)

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12 Years a Boy

Richard Linklater’s magnificent opus about the life of Mason played by Ellar Coltrane (cool surname), from 5 to 18 years old and his sister, Samantha, played by the director’s daughter, Lorelei Linklater took 12 years to film.

This remarkable coming of age drama is an incredibly successful experiment and such a joy to watch, at 165 minutes it never feels long, drawn out or filled with exposition. Linklater elicits wonderful performances from all involved and creates many beautiful moments. He filmed once or twice a year for 12 years and had a script that he kept malleable as he re-watched the previous years’ footage and utilised the actor’s changes and life lessons to inform and add to the constantly adaptable script.

It’s such a unique experience watching the children growing up during the duration of the film and what a joy it is. Already placing on critics ‘best of the year’ lists, this is well deserving of any awards that are and will come its way.

This is his most personal film being loosely based on his own experiences as a child and this comes through with bucketloads of charm and moments of truth and humanity. Starring his long-time collaborator, Ethan Hawke and with Patricia Arquette as Mason and Sam’s father and mother giving honest, truthful performances, Linklater had asked Hawke to take over filming if he died during the period.

Linklater is one of the most interesting directors working today, from his debut with Slacker through Dazed and Confused, School of Rock to the Before trilogy, he has shown himself to be an artist of incredible talent, consistent and constantly creating works of merit and mastery.

A must see.

Read an interview with the star, Ellar Coltrane at thefilmstage.com here

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4/5

PRIMER (2004)

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Four friends are working on new inventions in a garage and happen upon something they don’t understand that has far-reaching consequences for two of them.

While being entertaining, there are times when my head hurt from trying to get to grips with the science. If you are well-versed in the details then this will be a joy. It is more entertaining than Inception that was another, less clever head-scratcher at a tiny fraction of the cost, less showy with more substance.

This shows that an interesting script, well thought out and congruent is by far, one of the most important elements of a succesful film. The acting is subtle and comes from a place of truth.

Director, writer and lead actor, Shane Carruth plays Aaron and he creates a labyrinthine story that requires some work from the audience to decipher various clues that rewards the committed viewer. Co-starring David Sullivan who plays Abe, Aaron’s partner in time and Casey Gooden as Robert and Anand Upadhyaya as Phillip as the other two entrepreneurs.

Not quite as enjoyable as Coherence but sharing the same DNA, this film is a welcome addition to the time-travel canon. It reminds me of Pi, in the sense that you know you are watching something of merit but many times feel lost as far as narrative goes.

This film is very well made on a very shoestring budget ($7000) and the scant running time of 77 minutes means that your disorientation will only last for a short period of time .
Full of technical jargon that may confuse and confound its viewers, but ultimately rewards.

A film for the scientists.

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DOWNLOAD THE FILM ON iTUNES HERE

3/5