DICKS: THE MUSICAL (2023)

Dicks: The Musical Poster


Craig (Josh Sharp) and Trevor (Aaron Jackson) are ’identical’ and ‘straight’ self obsessed twins who, until the two companies they work at merge, didn’t know the other existed. They plot together to get their Mother (Megan Mullally) and Father (Nathan Lane) back together and boundary pushing hilarity ensues.

I would put money down that you’re not gonna see a crazier movie than this this year, or next.

Josh Sharp and Aaron Jackson in Dicks: The Musical

Josh Sharp and Aaron Jackson in Dicks: The Musical

In 2015, Josh and Aaron created a 30 minute musical in which they played long lost twins and each of them could also play a parent each. The  loosely inspired by The Parent Trap they set out to make “Let’s just do a funny little half hour crazy queer musical!”and they made a show, originally titled ‘Fucking Identical Twins’ that was performed in the basement of Gristedes (an off Broadway venue).

The pair were part of the Upright Citizens’ Brigade Theatre Company, an impro and sketch comedy group that started in Chicago in 1990 with, among others, Amy Poehler, Matt Besser, Matt Walsh and Adam McKay as its founding members and along the way has had in its company, Aubrey Plaza, Jason Mantzoukas, Abby Jacobson and Iliana Glazer (Broad City), Nick Kroll, Zach Woods, Kyle Mooney and Ben Schwartz. It’s a breeding ground for great improv comics.

Ffwd to 2023, and A24 release a film version of the musical that jumps right over any, and I mean any, line that has been drawn in the sand of taste, and declares itself here, queer and defo, not going shopping and very funny.

Nathan Lane, Megan Mullally, Aaron Jackson and Josh Sharp in Dicks: The Musical

Nathan Lane, Megan Mullally, Aaron Jackson and Josh Sharp in Dicks: The Musical

Dicks: The Musical shares shock DNA with Matt and Trey’s South Park the Musical, Team America:World Police and The Book of Mormon and directed by Larry Charles, whose pedigree speaks for itself, (Seinfeld, Borat and Bruno) this is a very funny musical that defo pushes the boundaries of taste, depending on your personal line, and mixes sweetness with filth like no other film you’ll see any time soon.

It dares to tread where few have gone before and why not?
A film like this needs to exist, it shows that we are unafraid to cross the line. Crossing the line is healthy and shows a balanced fair society. Not for everyone but great that it exists.

Megan Thee Stallion lets the boys know who's the boss in Dicks: The Musical

Megan Thee Stallion lets the boys know who’s the boss in Dicks: The Musical

There is an outtake during the credits where Josh starts laughing and Aaron asks what he’s laughing at, to which Josh replies “That we’re making this film”. Indeed, who would have thunk it? 

It’s a shock, a joyous one, but a shock nevertheless that this film has been made and we give thanks to A24.
I’m not sure who I’d recommend this film to. Definitely not my Mum. Anyone who likes musicals, is not easily offended and likes an unexpected laugh.

Things happen in this film that you couldn’t pick in a million years.
Sewer boys, a flying body part and some incest that would make Cersei and Jamie Lannister blush.

Featuring queens, Megan Thee Stallion, Megan Mullally, Nathan Lane and, of course, Bowen Yang, who was an old friend of the pair from the days at UCB. Megan Mullally and Nathan lane clearly have a blast with the material as is evident in the outtakes over the end credits and are both brilliant, as usual.

Bowen Yang as God!!!!!!!

Bowen Yang as God!!!!!!!

The only time the film slowed for a minute was during the Megan Thee Stallion song, which wasn’t bad it just didn’t feel apart of the narrative, more of an aside. A minor quibble.
The songs are all catchy, with the lyrics well written by the Josh and Aaron and given a bed of music by co-composer, Karl Saint Lucy and award winning producer, Marius De Vries, they are perfectly composed and fit brilliantly into the canon of musical numbers. This will be a midnight adult sing along show before long in the vein of The Rocky Horror Picture Show and Mamma Mia.

The casting of Bowen Yang as God in glitter may be blasphemous to some but here he gets to queen it up to the max and has a lot of fun whilst doing so.
The song at the finale may also have fundamentalists fainting and screaming but the audacity of it deserves a tilt of the hat.

Nathan Lane and Megan Mullally in Dicks: The Musical

Nathan Lane and Megan Mullally in Dicks: The Musical

The gayest, most outrageous musical comedy you will see all year and probably next year as well.
Not for the easily offended or faint of heart.


See it at the cinema or wherever you can now……If you dare.
86 Minutes

CAT PERSON (2023)

Last week week I saw 4 films at the cinema: Saltburn, Thanksgiving, Dream Scenario (also featuring Nicholas Braun) and this one; Cat Person.

In the movie trailers featured when I saw Saltburn there was a trailer for this one. I closed my eyes, blocked my ears and tried to take in as little as I could so as not to spoil it.
I wanted to go in clean, no prejudice, no expectations.
I knew Cat Person was based on a New Yorker short story and the word was that it wasn’t meant to be as good as the story (I disagree, it’s equally good).

Emilia Jones and Nicholas Braun in Cat Person

Emilia Jones and Nicholas Braun in Cat Person

Sophomore student, Margot (Emilia Jones) begins a relationship with an older man, Robert (Nicholas Braun) and emotions and thoughts escalate the situation. 

The perils of modern day dating, or really just dating, whatever era you live in. The age old dilemma of trying to find love, connection and companionship go south in this psychological comedy thriller.

After watching the film I read the short story written by Kristen Roupenian and the film, although obviously expanded, kept pretty much all of the story and 90% of the dialogue was verbatim.

The story was well written and shows how quickly things can go pear shaped.
Cat Person is enjoyable, funnier than the article which was down to the casting, writing and the actors involved. 

Geraldine Viswanathan and Emilia Jones in Cat Person

Geraldine Viswanathan and Emilia Jones in Cat Person

Emilia Jones portrays Margot, a 20 year old college student with the right balance of smarts and naiveté. Jones is an English actress who was excellent as the lead in the outstanding CODA. Nicholas Braun gives the perfect amount of awks, humanity and possible threat as Robert. Isabella Rossellini plays Margot’s tutor and is always a welcome addition to a cast, she was great as Marcel’s grandmother in Marcel the Shell with Shoes On. Australian actor, Geraldine Viswanathan is a great best friend who is filled with her own issues; shit, who isn’t? Hope Davis delivers another top performance as Margot’s mother, herself filled with issues.
Special mention goes to Lisa Colón-Zayas who plays Officer Elaine, she’s also in The Bear, which is a top series.

Emilia Jones and Isabella Rossellini in Cat Person

Emilia Jones and Isabella Rossellini in Cat Person

On Monday I started to read The Outsider by Albert Camus, I had picked it up from my childhood home when I was back there visiting my Mother a few months ago and it looked interesting and short and maybe easy to pace through. I had finished it by Thursday when I saw Cat Person.
In The Outsider (L’Étranger) the main protagonist, Mersault, finds himself in a situation where he is judged for an act that he seems unconnected to and is condemned by society for telling the truth, his truth, a truth that is not in line with the common thinking.
In Cat Person, a truth revealed spirals the whole situation out of control, the truth told in Cat Person would normally be avoided to save hurting someone’s feelings.

The real world is so far away from where our imaginings take us. The stories we tell ourselves are filled with fears, insecurities and lies for the most part and have little to do with reality. Until our dangerous thoughts become manifest one way of another. 
We really do create the world we live in, whether it’s actually real or not.
We seem to be so afraid to ask direct questions in case we are thought of as an idiot (men being laughed at) or less than cool and this is a big problem and leads us down too many unneccesary roads. 
When did hiding become the norm, were we always judged as harshly as we imagined or is this a modern problem? The social etiquette line is a thin one to walk.

Directed by Susanna Fogel and adapted by Michelle Ashford, Cat Person addresses these issues and entertains at the same time. Who said entertainment couldn’t teach us something? So, best to tell the truth like Mersault, unless it’s not best, which at times, it clearly isn’t.

See it now at a cinema near you.
119 Minutes