SPECTRE (2015)

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James Bond is back with Daniel Craig reprising the role for the fourth time. He is a great Bond showing us the character’s deep waters, but can only rise as high as the material in front of him and in this instance the material is shoddy, much less exciting or as well made as the previous film.

The job as a Bond director can NOT be an easy one, there is so much to contend with. Sam Mendes doesn’t quite do justice to the franchise with this film.

It seems like the writers tried to shoehorn the narrative (or certain plot points) from the last three films into this one and in doing so stepped many steps backwards from the heights and excitement of Skyfall. This is totally in response to the fact that Universal can now legally use Spectre(TM) and the characters relating to the organisation and in the process of ushering this in the quality diminishes SPECTRE-acularly (soz).

In 2013 a legal issue concerning S.P.E.C.T.R.E. and all its characters was finally resolved, MGM acquired the rights to characters and concepts of SPECTRE and the film-makers brought this to the script of this film, by trying to integrate this into the latest film, they have mis-stepped.

This film is like two episodes of the BBC series Spooks with more money, just a bit ‘meh’. The treatment of women in this film also seems so regressive after the strength of previous female characters, the wonderful Monica Belucci is wasted in her role as Lucia Sciarra, she is brilliant but the script gives her very little to play with. Léa Seydoux is also under-used here playing a damsel in distress, which is so old and tired now. The greatest aspects of Skyfall were the storyline that Dame Judy was given and Naomie Harris as Moneypenny seemed to have more dimensions than previous incarnations of this character. This ain’t the 60’s anymore, let’s catch up people.

The set pieces are better than Quantum of Solace but still seem tame, not as tight or engaing or exciting as the ones in Skyfall.
The whole film is marginally better than QOS, maybe slightly inferior to Casino Royale. The fantastic Christophe Waltz is also wasted, great as he is, also not afforded much chance to shine. Nowhere near as effective as Javier Bardem in Skyfall, this is not down to his talent, the fault lies with the script. Dave Bautista is a perfect Bond henchman, a force that will not be easily stopped and while his addition to the story and cast is welcome it comes too little too late amongst the confusion and damp squibby-ness of the journey.

Andrew Scott playing C is a little too smarmy and one dimensional for me, he is a decent actor, but the fault lies predominantly with the average material.
Ben Whishaw is settling into the role of Q nicely, although I much preferred his scenes from Skyfall. (Did I mention that I didn’t like this film as much as Skyfall already?).

Enough already with the old standards, let’s get back to the dizzying heights of the new that we have seen just recently. It’s much more interesting.

A wasted opportunity. :O(.

2/5.

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INHERENT VICE (2014)

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Set in 1970, private investigator Larry ‘Doc’ Sportello is visited by his ex-girlfriend who asks him to look into a possible sting operation on her current real estate mogul boyfriend by his wife and her lover and so, gets embroiled in a tangled web of secrets, Nazis, crazy dentists and tightly wound police men.

I like Paul Thomas Anderson and he is one of the few directors whose films I will definitely watch and always look forward to them.

Inherent Vice is very enjoyable, as complicated as may be; Anderson steeps us in this L.A. noir world that is unusually bright for a Noir film.

Adapted from Thomas Pynchon’s book of the same name, this is a journey through the complex world of a private detective, his ex-girlfriend, her housing mogul boyfriend and an array of weird and wonderful characters.

I haven’t read the book yet but will be doing so very soon.

The great Joaquin Phoenix plays the P.I., Larry ‘Doc’ Sportello whose penchant for the greener type of smoking infuses the film with a heady haziness that is a lot of fun once you accept it for what it is. The audience is mostly always on the same page as Doc, so the ride is as surprising to him as it is to us.

The cinematography by Robert Elswit (Anderson’s regular lenser) is stunning, filled with beautifully composed shots. He recently shot the fantastic Nightcrawler that is also set in L.A. mostly at night whereas Inherent Vice is filled with the L.A. sunshine.

This has the hallmarks of a cult film; there will be midnight screenings for the fans. It is not a film that gen pop will willingly go to, it’s too convoluted for most viewers who like everything neatly tied up and explained but for the adventurous amongst you, this will be a treat.

Anderson was introduced to me, like most of us via the superb Boogie Nights and he followed this with his opus, Magnolia. I went back and watched Hard Eight (cut to ribbons by the studio) which was an enjoyable mess (director’s cut anytime sooon?) and then Punch Drunk Love followed by There Will be Blood and The Master. All of these contain quality storytelling and although I had problems with There Will Be Blood (Daniel Day-Lewis’ incredible performance overshadowing the narrative) Anderson’s oeuvre is filled with incredible performances and always-interesting film-making.

Katherine Waterson (Sam’s daughter) plays the ethereal, Shasta Fay Hepworth and delivers a performance worthy of note; she literally lays herself bare both physically and emotionally. She is an interesting actor whose choices and skills are given free reign here.

The supporting cast are all excellent; Josh Brolin as the angry policeman, Bigfoot, Joanna Newsom as the film’s earth mother/narrator, Sortilège, Martin Short as the unhinged dentist, Dr Rudy Blatnoyd, Hong Chau as the masseur/prostitute, Jade, Eric Roberts as the real estate mogul and boyfriend of Shasta, Mickey Wolfmann, Serena Scott Thomas as his wife, Sloane, Michael K Williams as Tariq Khalil, Owen Wilson as the musician, Coy Harlingen and Benicio Del Toro as Doc’s lawyer amongst many very talented others.

Paul Thomas Anderson has always loved actors and he is definitely an actor’s director.
Special mention should go to Jonny Greenwood for creating a beautiful soundtrack.

This is a film for cineastes out there, those with an appreciation for all things cinema and I, for one, will be re-watching this at some point.

4/5

BUY THE FILM ON BLU RAY DVD HERE

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