KILL BOKSOON (2023)

Kill Boksson poster


South Korean cinema and action go together like strawberries and cream. 

Gil Bok-soon is a single mother who tells her troubled daughter that she works for an event company. The event company, MK Ent. that she works for is actually an agency that takes on contract killings. Boksoon is the top Assassin with a 100% success rate.

Hwang Jung-min in Kill Boksoon

Hwang Jung-min in Kill Boksoon

The film opens at night on a deserted bridge. A tattooed man, a South Korean Japanese-born Yakuza, played by the always brilliant, Hwang Jung-min wakes up to find a woman dressed like a nurse whom he recognises as being the famous killer Bok-soon, they then begin the first of many brilliantly choreographed action sequences that appear in the film.
It’s a top opening gambit scene that starts a journey for the audience that is both unexpected, inventive and highly enjoyable.

Jeon Do-yeon in Kill Boksoon

Jeon Do-yeon is Gil Bok-soon

With the recent release of John Wick 4, America has also shown that they are up there with the best of them when it comes to true martial arts cinema which is great news for fans of the genre. With JW4 (and the three-vious ones) having had a huge cinema release worldwide it is no surprise that it is doing really well at the box office and receiving a LOT of attention. Kill Boksoon is probably doing well in South Korea but the fact that Netflix acquired the film and is available ONLY on Netflix is both great and a great shame.
This film shares some assassinate DNA with the Wick franchise.

Why couldn’t I watch this at the cinema?
This is one of the problems with Netflix, they spend a ton of money on making or acquiring these films and deny the audience a chance to experience them as they should by sticking them straight onto their streaming site. One of their recent acquisitions, which was nominated for a bunch of awards, the war film All Quiet on the Western Front had a very limited cinema release that I unfortunately missed but at least it was available for a second. Living in Australia it can be difficult to find South Korean cinema on the big screen, although I am going to see Memories of Murder in a few weeks at the Golden Age cinema in Surry Hills and I did see Broker last year, but unless it makes ripples at Cannes or one of the festivals around the world it’s unlikely that it will make an appearance at the cinema. 
I guess I have to get my own screening room………

It works both ways though because the reach Netflix has is much greater than the traditional route and so the filmmakers get their films out to a potentially massive audience and ultimately that is what they want but Netflix should do what they did with Western Front, The Irishman and several others more.
Give us us cinema option.
Anyways……..

Kim Si-a and Jeon Do-yeon

Kim Si-a and Jeon Do-yeon

What sets Gil Bok-soon apart from her peers is her ability to play out the contract like a chess maestra, always looking ahead to fulfil her means. She is a veritable virtuoso lead violin of death in an orchestra filled with jealous instruments competing with her.

Her relationship with her daughter is fraught with the usual miscommunications, they are constantly trying to connect but miss each other every time.
In this respect, Kill Boksoon shares some family dynamic DNA with the superb Oscar winner of 2023; Everything Everywhere All at Once as well as some cracking fight sequences.

Gil Bok-soon is played by the brilliant Jeon Do-yeon whom I first saw in the excellent Untold Scandal in 2003, which was based on the French novel, Les Liaisons Dangereuses and she also featured in last years Emergency Declaration (2021).

2003 was also the year that Park Chan-wook’s classic Oldboy was released as well as Bong Joon-ho’s Memories of Murder, Kim Jee-woon’s A Tale of Two Sisters, and Kim Ki-duk’s Spring, Summer, Fall, Winter….and Spring. 
This was the year I began my journey into South Korean cinema. It was a good vintage and I was probably not the only non-South Korean cinema lover to step into this incredible cinematic world at this time.

Jeon Do-Yeon is fantastic in this film, she manages to convey the motherly confusion and desire to protect as well as the brutality that is required for her job.
She can fight you know.

Sol Kyung-gu and Jeon Do-yeon

Sol Kyung-gu and Jeon Do-yeon

The head of MK Ent. is Cha Min-kyu played as usual with depth and groundedness by Sol Kyung-gu who was excellent in The Book of Fish (2021) and was incredible in Memoir of a Murderer (2017). He had previously worked with the director of Kill Boksoon, Byun Sung-hyun in The Merciless (2017), which was great and well worth a look and Kingmaker (2021), which I haven’t seen yet.
His character in this film has a history with Bok-soon that causes jealousy with his sister, Cha Min-hee. played by Esom, who is an executive of the company and has the potential to make life very difficult for Bok-soon.

Bok-soon juggles her family life with her professional at times, with difficulty, constantly trying to keep many plates spinning whilst the world around her is conspiring to force them to fall and smash.

The film is a veritable who’s who of top South Korean character actors, with Lee Yeon playing a young and upcoming very talented trainee assassin, the company bosses played by Kim Sung-oh (The Merciless/Kingmaker), Gi Ju-bong (a great character actor who has worked a load with arthouse director Hong Sang-hoo), Kim Jun-bae, Lee Young-suk (The Book of Fish), Kim Yong-joon and Shin Kang Kyun. 

Kim Ki-cheon, Jang In-sub, Choi Byung-mo, Koo Gyo-hwan, Jeon Do-yoen and Park Kwang-jae

Kim Ki-cheon, Jang In-sub, Choi Byung-mo, Koo Gyo-hwan, Jeon Do-yoen and Park Kwang-jae.

Bok-soon’s colleagues and drinking buddies who also work for the company and hold her in the highest of regard played by Hoo Gyo-hwan (Peninsula), Choi Byung-mo (The Merciless/The Spy Gone North), Kim Ki-cheon (Veteran/The Wailing), Park Kwang-jae (The Merciless/Memoir of a Murderer) and Jang In-sub (A Hard Day/The Merciless), this group has a lot of fun playing together and provides some of the funnier scenes and an amazing fight scene. I like how the director Byun Sung-hyun uses a repertory of actors in his films, my favourite directors do this, Akira Kurosawa is a great example.
Kim Si-a is really good as Bok-soon’s daughter and they have some touching and heart-felt scenes together. Also worth a mention are her schoolfriends played by Lim Jae-in in her first film and Choi Hyung-joo (Hellbound).

I know that was a lot of names but they are all worth mentioning.
Sung-hyun directs them all with skill and brings out wonderful performances from them all.

Sol Kyung-gu and a bunch of Russian gangsters

Sol Kyung-gu and a bunch of Russian gangsters

This is a film that is massively entertaining and well worth a watch.

Watch it now on Netflix.

137 Mins.

MY FAVOURITE FILMS OF 2022

Here are my favourite films of 2022.
There were many this year, more than usual.
I have mostly put them in the order that I saw them except for my number 1 (which is last). It was cemented at top spot the moment I saw it……..

Let me know what you enjoyed this year in the comments below.


AFTER YANG

After Yang poster


This was the first film I saw this year that really impressed me. Enough to buy the book with the short story that the film was based on: Children of the New World by Alexander Weinstein which contained the short ‘Saying Goodbye to Yang’.
This was a delicate treatise on life, death and love and was directed with heart and deftness by Kogonada who also directed 4 episodes of one of my favourite tv series based on my favourite book of 2022, Pachinko.
The first of Colin Farrell’s great performances that I saw this year and beautifully supported by Jodie Turner-Smith, Malea Emma Tjandrawidjaja, Hayley Lu Richardson (who appeared later on in the year in The White Lotus season 2) and Justin H Min imbuing Yang with so much humanity and life.
Intelligent with something to say. Huzzah.


DRIVE MY CAR

Drive My Car poster


I love Haruki Murakami’s writing. He may even be my favourite author. I hadn’t read the short that the film was based on but I read it before I saw this. It was based on 2 stories from his collection Men Without Women (Scheherezade and Kino).
I think this may have been released in 2021 but I saw it in 2022 so…….
Ryusuke Hamaguchi deservedly won the Academy Award for this lovely film that didn’t feel like its 3 hour running time as the performances were interesting and the story was paced really well. Lovely.


THE INNOCENTS


This Swedish horror film directed by Eskil Vogt was so well put together with a seemingly limited budget and the tension, cinematography and performances from the kids elevated it to land on this list.
With a nice title nod to the 1961 classic horror film The Innocents based on Henry James’ short story ‘The Turn of the Screw’. This supernatural thriller is intelligent, scary and brilliant.
Let’s see how long it takes for Hollycould or Hollydud to remake this brilliant horror film.
Ignore the remake if it ever comes and check out this great piece of cinema.


THE BLACK PHONE

The Black Phone poster


This was a good one. Ethan Hawke manages to pull off some great acting mostly hidden by a mask. The younger actors were all very good, Mason Thames plays the lead and is supported tremendously by Madeleine McGraw who plays his sister and gives the stand-out performance of the film. Written by Joe Hill, son of Stephen King and directed by Scott Derrickson, this horror introduces a very creepy bad guy, the Grabber, who is the stuff of nightmares, kidnapping children throughout the years. The tension is palpable and here we have one of many top horror films of 2022.


PREY

Prey poster


The best Predator film ever???? Don’t shoot me. I saw this three times and enjoyed it every time. The pace, the structure, the callbacks, the references, the performances, the action were all grade A, spot on. I have only seen the original Predator and revisited it again after seeing this 35 years after I originally saw it. It is a fun film that was better than I remembered but the testosterone was uncontrollably flying out of the screen in that classic patriarchal ’80’s style. It was fun though. Prey is a massively enjoyable action film that puts a female front and centre and an America Indian/Native American at that.
Amber Midthunder has arrived and I’m sure we’ll see more of her. 


MARCEL THE SHELL WITH SHOES ON

Marcel the Shell With Shoes On poster


This might have been the sweetest film I saw this year. Based on a short animated film by comedian, Jenny Slate (who also appears in my number one film of the year….) this is about a mollusc whose family has disappeared, apart from his Grandmother, exceptionally voiced by Isabella Rossellini, and his day to day life living in an AirBnB. His journey is documented by the current AirBnB guest, played by director Dean Fleischer Camp.

It is moving, gentle, charming and above all funny.


X

X poster


PEARL

Pearl poster


Ti West’s double whammy is a welcome addition to the horror genre that in 2022 had a great injection of imagination and re-invention. Horror has always been looked down on as a less than worthy genre and now it seems to be getting its flowers. X is about an adult film shoot on a farm that goes left pretty quickly and Pearl is about the lady of the farm as a young girl.
Mia Goth plays Pearl and also the heroine of X!!!! She is so so good.
Nominate her for an Oscar for both films please. Her performances in both are astounding.
X is like a traditional slasher film with a twist, Chainsaw Massacre style and Pearl is like a mash-up of horror and an old hollywood film. Fantastically twisted and brilliant.


DECISION TO LEAVE

Decision To Leave poster


Park Chan Wook is back delivering class and style for days. Here, he gives us a romantic thriller, which is a weird genre mash-up if you think about it.
A detective investigating a man’s death meets the man’s wife whilst trying to solve the case.
This feels like a classic thriller with touches of Hitchcock thrown in for good measure.
The cinematography is stunning as we would expect from Park Chan Wook and the cast is tremendous led by Park Hae Il as the detective and Chinese actress Tang Wei as the dead man’s wife.
The style oozes out of this brilliant film.


BODIES BODIES BODIES

Bodies Bodies Bodies poster


A24 does it again. This is whip-smart. Euphoria meets Halloween. Female led, funny as fuck and with a soundtrack that rocks this horror-comedy about a group of friends staying together in a big house owned by the parents of Pete Davidson’s character for a weekend that turns pretty sour pretty quickly.
Friendships dissolve, tensions mount and people die. 


A HERO

A Hero poster


I saw this on a plane earlier in the year and was really impressed. A man is in jail for a debt he was unable to pay and is released for a two day leave. He sort of tries to do a good deed and gets caught up in his own lie and complicates his life further. This is an intelligent film about the idea of ‘doing good’ and the agendas behind the deed. Directed by Iranian Academy Award winning director, Asghar Farhadi, this is a film that takes you on a journey about an unlucky soul and his efforts to make amends.


THE QUIET GIRL

The Quiet Girl poster


Another one that surprised me. It was on at the Sydney Film Festival and was quite rightly lauded with praise. Set in rural Ireland in 1981 this is a story of a young girl who is sent to a distant cousins for the summer as her dysfunctional parents can’t afford to keep her and don’t seem to have the love to give her. She gets to experience what its like to be properly looked after and cared for. It is heart-breaking and very touching in an implied way rather than overly sentimental. The film is mostly in Gaelic and thus allows the viewer to be placed in the thick of the story.
First time feature director Colm Bairéad delivers a touching film about family and a special mention must go to the lead actress Catherine Clinch who imbues Cáit with such humanity and honest energy I would be surprised if we didn’t see her cropping up again and again in the near future.


BARBARIAN

Barbarian poster


This was probably the most surprising movie of the year. It came along with a publicity trail that for once was deserved. The trailer was brilliantly mysterious and didn’t give away any of the fucked up plot. It was scary, surprising and paced along nicely.
Best for you to go in as blind as possible and enjoy the rollercoaster ride.


BROKER

Broker poster


Stealing babies and selling them on sounds like a horror film, right? How Kore-eda Hirokazu manages to make this warm, funny, moving film is a feat indeed. He is helped along by the immense talent of Song Kang Ho and the rest of the cast who manage to form a functionally dysfunctional slap shoddy family of sorts.
Read my review HERE.


TRIANGLE OF SADNESS

Triangle of Sadness poster


This was so so good and deservedly the recipient of the Palme D’Or at Cannes this year. A scathing indictment of the spoilt wealthy tier of society, this is satire at its finest.
Director Ruben Östlund is landing classic after classic and this is no exception.
Check out my review HERE.


EMERGENCY DECLARATION

Emergency Declaration poster


The action film of the year delivers on all levels. It is a lesson on how to make a film with all the elements. The characters are built up with proper foundation so that when jeopardy arrives the audience is invested. The second film starring Song Kang Ho of this year here, he plays a cop who is trying to thwart a potential airline disaster. Also starring another South Korean superstar actor, Lee Byung Hun this was my favourite actioner of the year.


THE BANSHEES OF INISHERIN

The Banshees of Inershin poster


A late contender as I only saw it a couple of days ago but thoroughly enjoyed it. This intimate, witty, commentary on war, both personal and societal is written and directed beautifully by Martin McDonough coming off the back of Three Billboards and reuniting the mighty Colin Farrell and the brilliant Brendan Gleeson and co-starring the always interesting Barry Keoghan and the always great Kerry Condon this tale of a friendship gone sour shows that nothing lasts forever.


EVERYTHING EVERYWHERE ALL AT ONCE

Everything Everywhere All at Once poster


I have gushed about this to most everyone I know. Give it all the awards.
This is my number one favourite film of the year 2022.
Heart warming, surprising, beautiful, funny, daring, out-there, imaginative, inventive, hot dog fingers, the music, the choreography, the acting, the direction, everything, everything everything…..all at once.
An absolute gem of a film.
My review from earlier in the year is HERE.


Actor of the year-Colin Farrell.
He was subtle and gentle in After Yang, rough as guts in The North Water, funny and massively watchable as the Penguin in The Batman and slow and again funny in The Banshees of Inershin.
He wins 2022.


Fun Fact: The film company, A24 had 6 films in the above list (After Yang, Marcel, X, Pearl, Bodies Bodies Bodies and Everything Everywhere) so A24 wins 2022 for distribution and inventiveness.

The list in full:
After Yang
Drive My Car
The Innocents
The Black Phone
Prey
Marcel the Shell With Shoes On
X
Pearl
Decision to Leave
Bodies Bodies Bodies
A Hero
The Quiet Girl
Barbarian
Broker
Triangle of Sadness
Emergency Declaration
The Banshees of Inershin
Everything Everywhere All at Once


I hope you enjoyed my list. Art is after all totally subjective so there are no wrong answers (for the most part ;O))

Let me know what your faves were in the comments below.
I appreciate y’all.
Merry new year.