STYLEBENDER (2023)

Stylebender poster


There’s a moment about 35 minutes into this insightful and revealing documentary where our protagonist, Israel Adesanya is in a therapy session with his ‘Mobile Possibility Manager’ aka therapist, Janet Redmond and she is asking him to dive deep into his emotions on why he wanted to fight to begin with, what drives him and as he does so he experiences firstly anger but after a while transitions to sadness and with some guidance from …… Izzy lets some tears go. He talks about his depression after becoming champion and Janet mentions that depression is where anger and sadness meet.
This is revelatory for him and for me.

It’s a beautiful moment that tells us much about the mindset and emotional intelligence of the UFC Middleweight Champion. He has a vulnerability that is so refreshing and he is unafraid to show it.

Israel Adesanya
Israel Adesanya

It’s rare to see someone so famous be so open. To allow the cameras into a therapy session is brave. Yes, there can be cynical motives to this but this seems real. He started fighting to stop being bullied, to feel like he had power, and not feel helpless. This is a common reason for fighters and the drive to beat the old-school bully/bullies who used to pick on them. It creates a fire, an anger, and a sadness that always lies close to the surface, giving the fighters the edge they need to be the best. Izzy reached that goal. He became the champion of the world.

Let’s rewind for a second, in 2016 I was introduced to a cracking MMA drama series called Kingdom (I highly recommend it btw) by my friend and podcast (Punching Up-The Movie Podcast) co-host Adam Nightingale, this led me to watch a documentary called The Hurt Business, which takes a look at the rise of Mixed Martial Arts (MMA for the initiated) through the eyes of some of the sports top stars at the time, including the biggest draw in 2016, Ronda Rowsey. I mention this because it got me into MMA and the UFC and today, 7 years later I am still watching the big show.

In 2017, Israel ‘The Last Stylebender’ Adesanya, born in Nigeria and moved with his family to New Zealand when he was 10, was signed to the biggest organisation in MMA, and was 11-0 in professional MMA, no easy feat.
His first fight for the UFC came in February 2018 and he then went on a tear, he became the Middleweight Champion of the world a mere one and a half years later in October 2019.

Since joining the UFC he won his next 9 fights before going up a weight class from Middleweight to Light Heavyweight and was beaten by the champion at the time, Jan Blachowicz. He was still the Middleweight Champion and he defended his belt three more times.

I mention this because I watched all of his fights and always looked forward to seeing him in the Octagon. He was always outstanding, seeming to see every attack before it was launched by his opponent.

He is a star. He has charisma, skill and he loves anime (his nickname is taken from the anime Avatar: the Last Airbender).
He is a self-confessed geek, proud of it and boy can he fight.

This documentary directed by Zöe Macintosh shows the raw vulnerable side of Izzy and his relationship with New Zealand’s famous Auckland City Kickboxing Gym owner and trainer, Eugene Bareman.

Eugene Bareman

Eugene Bareman

The film shows Adesanya’s roots in his love of dancing (Krumping, a powerful sometimes violent form of dance that expresses raw emotions and vulnerability) and his early encounters with school bullies which led him to the gym. There is a revealing scene where he visits his old school and is filmed Krumping in the bathroom. It is a powerful moment.

Israel Adesanya at his old school

Israel Adesanya at his old school

The film shows how he is not afraid to embrace his feminine, sensitive side as well as his brutal masculine one. This is an example of a complete human being, the masculine and feminine working together like the yin-yang relationship. 

“I wear what I want,” he says. “My nails, they call them French tips, I like the way they look. Who says they’re just for girls. Pearls look good on my black skin, they pop off nicely. So, who the fuck said they are for girls? I wear what I want. For me, it’s being confident and standing in who I am. My body evoking a strong emotion in someone else to the point where they comment – they never say it to my face – that says a lot more about them than it does about me. The fact that it pisses people off, that’s the icing on the cake.” 

Izzy getting his nails did

Izzy getting his nails did

He is unapologetic and unrelenting and this is refreshing and a welcome change to the hyper-masculine normality in the fight game.

Stylebender shows his journey through the UFC to superstardom, fame and all the trappings this ever-so-fickle companion can bring to the table. He is a work in progress, like us all and is unafraid to admit character failure and again vulnerability.

“Who is Israel Adesanya? I’m still trying to find that out,” Adesanya says. “I’m never just one person. I’m 33 now, when I was 12 I’d look at people my age and think: ‘they’re adults, they’ve got it figured out.’ When I was 18, I thought I’d be married with kids by age 24, and boy was I wrong. I’m 33 and I’m just trying to figure it out like everyone else. There’s no ‘who am I?’ I am who I am.” 

This is a top documentary, engaging, likeable and informative and not only for fans of MMA.

See it now.

1 hr 42 mins

KILL BOKSOON (2023)

Kill Boksson poster


South Korean cinema and action go together like strawberries and cream. 

Gil Bok-soon is a single mother who tells her troubled daughter that she works for an event company. The event company, MK Ent. that she works for is actually an agency that takes on contract killings. Boksoon is the top Assassin with a 100% success rate.

Hwang Jung-min in Kill Boksoon

Hwang Jung-min in Kill Boksoon

The film opens at night on a deserted bridge. A tattooed man, a South Korean Japanese-born Yakuza, played by the always brilliant, Hwang Jung-min wakes up to find a woman dressed like a nurse whom he recognises as being the famous killer Bok-soon, they then begin the first of many brilliantly choreographed action sequences that appear in the film.
It’s a top opening gambit scene that starts a journey for the audience that is both unexpected, inventive and highly enjoyable.

Jeon Do-yeon in Kill Boksoon

Jeon Do-yeon is Gil Bok-soon

With the recent release of John Wick 4, America has also shown that they are up there with the best of them when it comes to true martial arts cinema which is great news for fans of the genre. With JW4 (and the three-vious ones) having had a huge cinema release worldwide it is no surprise that it is doing really well at the box office and receiving a LOT of attention. Kill Boksoon is probably doing well in South Korea but the fact that Netflix acquired the film and is available ONLY on Netflix is both great and a great shame.
This film shares some assassinate DNA with the Wick franchise.

Why couldn’t I watch this at the cinema?
This is one of the problems with Netflix, they spend a ton of money on making or acquiring these films and deny the audience a chance to experience them as they should by sticking them straight onto their streaming site. One of their recent acquisitions, which was nominated for a bunch of awards, the war film All Quiet on the Western Front had a very limited cinema release that I unfortunately missed but at least it was available for a second. Living in Australia it can be difficult to find South Korean cinema on the big screen, although I am going to see Memories of Murder in a few weeks at the Golden Age cinema in Surry Hills and I did see Broker last year, but unless it makes ripples at Cannes or one of the festivals around the world it’s unlikely that it will make an appearance at the cinema. 
I guess I have to get my own screening room………

It works both ways though because the reach Netflix has is much greater than the traditional route and so the filmmakers get their films out to a potentially massive audience and ultimately that is what they want but Netflix should do what they did with Western Front, The Irishman and several others more.
Give us us cinema option.
Anyways……..

Kim Si-a and Jeon Do-yeon

Kim Si-a and Jeon Do-yeon

What sets Gil Bok-soon apart from her peers is her ability to play out the contract like a chess maestra, always looking ahead to fulfil her means. She is a veritable virtuoso lead violin of death in an orchestra filled with jealous instruments competing with her.

Her relationship with her daughter is fraught with the usual miscommunications, they are constantly trying to connect but miss each other every time.
In this respect, Kill Boksoon shares some family dynamic DNA with the superb Oscar winner of 2023; Everything Everywhere All at Once as well as some cracking fight sequences.

Gil Bok-soon is played by the brilliant Jeon Do-yeon whom I first saw in the excellent Untold Scandal in 2003, which was based on the French novel, Les Liaisons Dangereuses and she also featured in last years Emergency Declaration (2021).

2003 was also the year that Park Chan-wook’s classic Oldboy was released as well as Bong Joon-ho’s Memories of Murder, Kim Jee-woon’s A Tale of Two Sisters, and Kim Ki-duk’s Spring, Summer, Fall, Winter….and Spring. 
This was the year I began my journey into South Korean cinema. It was a good vintage and I was probably not the only non-South Korean cinema lover to step into this incredible cinematic world at this time.

Jeon Do-Yeon is fantastic in this film, she manages to convey the motherly confusion and desire to protect as well as the brutality that is required for her job.
She can fight you know.

Sol Kyung-gu and Jeon Do-yeon

Sol Kyung-gu and Jeon Do-yeon

The head of MK Ent. is Cha Min-kyu played as usual with depth and groundedness by Sol Kyung-gu who was excellent in The Book of Fish (2021) and was incredible in Memoir of a Murderer (2017). He had previously worked with the director of Kill Boksoon, Byun Sung-hyun in The Merciless (2017), which was great and well worth a look and Kingmaker (2021), which I haven’t seen yet.
His character in this film has a history with Bok-soon that causes jealousy with his sister, Cha Min-hee. played by Esom, who is an executive of the company and has the potential to make life very difficult for Bok-soon.

Bok-soon juggles her family life with her professional at times, with difficulty, constantly trying to keep many plates spinning whilst the world around her is conspiring to force them to fall and smash.

The film is a veritable who’s who of top South Korean character actors, with Lee Yeon playing a young and upcoming very talented trainee assassin, the company bosses played by Kim Sung-oh (The Merciless/Kingmaker), Gi Ju-bong (a great character actor who has worked a load with arthouse director Hong Sang-hoo), Kim Jun-bae, Lee Young-suk (The Book of Fish), Kim Yong-joon and Shin Kang Kyun. 

Kim Ki-cheon, Jang In-sub, Choi Byung-mo, Koo Gyo-hwan, Jeon Do-yoen and Park Kwang-jae

Kim Ki-cheon, Jang In-sub, Choi Byung-mo, Koo Gyo-hwan, Jeon Do-yoen and Park Kwang-jae.

Bok-soon’s colleagues and drinking buddies who also work for the company and hold her in the highest of regard played by Hoo Gyo-hwan (Peninsula), Choi Byung-mo (The Merciless/The Spy Gone North), Kim Ki-cheon (Veteran/The Wailing), Park Kwang-jae (The Merciless/Memoir of a Murderer) and Jang In-sub (A Hard Day/The Merciless), this group has a lot of fun playing together and provides some of the funnier scenes and an amazing fight scene. I like how the director Byun Sung-hyun uses a repertory of actors in his films, my favourite directors do this, Akira Kurosawa is a great example.
Kim Si-a is really good as Bok-soon’s daughter and they have some touching and heart-felt scenes together. Also worth a mention are her schoolfriends played by Lim Jae-in in her first film and Choi Hyung-joo (Hellbound).

I know that was a lot of names but they are all worth mentioning.
Sung-hyun directs them all with skill and brings out wonderful performances from them all.

Sol Kyung-gu and a bunch of Russian gangsters

Sol Kyung-gu and a bunch of Russian gangsters

This is a film that is massively entertaining and well worth a watch.

Watch it now on Netflix.

137 Mins.