LEE (2024)


Remove lens cap………..

This is the story of famed photographer, Lee Smith who went from a successful career as a model to a photographer who took some of the most powerful and vital pictures for Vogue during World War 2.
We are taken through Smith’s transition from model and bohemian artist to her need to help wth the war effort through her striking photography.

Photography has always been one of my one passions, the power and impact of the still image can never be overstated. The photographs Lee captured at the end of WW2 are a poignant. testament to the brutality, the fragility and the resilience of life. These images serve not only to remind us but as enduring records of our shared history. Yet, despite the countless times we are confronted with these reflections of our past, we often turn a blind eye, ignoring their importance.
Lest We Forget.
Nearly 80 years has passed since the end of World War 2 and still, atrocities continue. What is wrong with us? Are we so blind or we are predisposed to destruction, killing, savagery and unspeakable cruelty.

Where is our collective empathy? We feel it when we see these haunting images of violence and suffering, and that is why we need stories like Lee’s. 

The Bohemian years.
Kate Winslet as Lee Smith in Lee
The Bohemian years.
Kate Winslet as Lee Smith in Lee

What drives someone to willingly put themselves in harm’s way to capture a fleeting moment? For Lee Smith, it was a desire to be useful. A gifted photographer, who was living in London in 1945, and felt compelled to contribute in some meaningful way. Determined to make a difference, she approached Vogue with a proposal: to travel to the front lines and document the war’s unfolding events through her lens. As expected, the idea was initially dismissed—it was a man’s world, and assignments like this rarely went to women. But perseverance can achieve remarkable things, and Lee refused to back down. Eventually, her persistence paid off, and she made her way to Germany, where she captured on film the final days of World War II.

Alex Garland’s recent Civil War is also about reportage, with the photographers being non-biased, non-partisan, simply determined to capture an honest record of the events unfolding. 

War photographers are just that. Witnesses.
They venture into places most people would avoid at all costs, even soldiers if given a choice, to take pictures, to remember, to make a record, to bear witness.

Picture this.
Kate Winslet as Lee Smith in Lee
Picture this.
Kate Winslet as Lee Smith in Lee

Kate Winslet is truly a national treasure and it seems another Oscar nod could be on the horizon for the great actress. She is consistently brilliant, always bringing believability and honesty to her work. She never fails to imbue her characters with three dimensions, a true humanity that always feels layered and lived in.

The rest of the cast are, without exception, fabulous. Alexander Skarsgard shines as Roland, Lee’s great love, while Josh O’ Connor delivers a gentle and compelling performance as Antony who interviews Lee in her later years. Andy Samberg takes on the role of  David Scherman, Lee’s fellow photographer and friend,  and brings his usual charm to the role. Marion Cotillard as her friend, Solange with grace and elegance and the rising French star, Noemie Merlant impresses as Nusch Eluard. Special mentions go to Samuel Barnett and Andrea Riseborough as Audrey Withers and Cecil Beaton of Vogue London respectively, who both have a blast with their character work.

The film is based on a 1995 biography, The Lives of Lee Miller and the mighty Alexandre Desplat is on soundtrack duties, again delivering a beautiful score.

The director, Ellen Kuras makes her feature film debut with confidence and clarity. She has been in the film business for a while primarily working as a cinematographer for the likes of Spike Lee (on He Got Game, Summer of Sam and Bamboozled), Ted Demme (on Blow), Jim Jarmusch (on Coffee and Cigarettes) and Michel Gondry (on both Eternal Sunshine of the Spotless Mind and Be Kind Rewind). She had previously worked with Kate Winslet on Eternal Sunshine and long term associations can lead to great trust and a shorthand that have the potential to create special works.

The film took 8 years to make. Years ago Ellen Kuras read a book about Lee Smith and sent it to Winslet. Sometime later when Winslet started developing a movie project about Smith she asked Kuras to direct it and now the world gets to know and see who the talented and brave Lee Smith was.
And so they should.
This is an important film about standing up for something honourable.
We all need a bit of this in our lives.

Replace lens cap…..

See it now at a cinema near you.

116 Minutes

THE APPRENTICE (2024)


BEFORE THEY STARTED EATING THE DOGS….AND THE CATS.

I recently watched an excellent Channel 4 documentary from the UK called Trump’s Heist-The President Who Wouldn’t Lose. It shows how, against all the counsel of his advisors, The Donald insisted on claiming that his loss of Presidency of the United States to Joe Biden in 2020 was fraudulent, despite all evidence to the contrary, and a great deal of that evidence coming from his fellow Republicans.

In The Apprentice, director Ali Abbasi charts the rise of Donald J Trump, here played brilliantly by Sebastian Stan, and dramatises his coming out and coming up party; out of the shadow of his father and up to becoming the real estate magnate. We see his relationship with famous New York right-wing lawyer and political fixer, Roy Cohn, who teaches his new acolyte how to amass wealth and power through deception, intimidation and media manipulation.
Cohn urges Trump to deny deny deny and even if you lose, claim victory.
He teaches him his 3 rules for success:

Rule 1. Attack. Attack. Attack.
Rule 2. Admit nothing. Deny everything.
Rule 3. Claim victory and never admit defeat.

All that matters is winning or the appearance of it and here are the origins of the current state of American (and world) politics that has turned law, rule and constitution into a pantomime where the loudest voice is the one that is heard.

Nowadays, truth is trumped by bombast and volume.

Jeremy Strong as Roy Cohn and Sebastian Stan as Donald Trump in The Apprentice
Jeremy Strong as Roy Cohn and Sebastian Stan as Donald Trump in The Apprentice

Having a director who is not from America enables access to a point of view that has a more balanced, nuanced and deeper perspective than a home-grown American film maker. Take a look at Veep, run by Brit, Armando Iannucci or similarly Succession, created by Brit, Jesse Armstrong, both political shows about America filled with biting satire and pointed observation. And so, with the Iranian/Danish director Ali Abbasi, who recently directed 2 episodes of HBO’s brilliant first season of The Last of Us and the excellent serial killer film Holy Spider, it makes sense that the film feels like the view is from the balcony and works much better for it.

Abbasi took Barry Lyndon’s journey as principal reference for Trump’s early odyssey. Executive producer Amy Baer said: “I thought that was a brilliant and unexpected comparison for this movie—a social climber who absorbs the affectations of the people and cultures around him because he himself stands for nothing, that, in many ways, is Trump.”

Gabriel Sherman, author of the best-selling biography The Loudest Voice in the Room about Fox News founder Roger Ailes, crafts a tight script that allows the actors to fully bring these real-life characters to life and cinematographer Kasper Tuxen, gives New York City a grainy edge that presents an authentic look of the city in the 1970s.

Maria Bakalova as Ivanka and Sebastian Stan as Donald Trump in The Apprentice

Sebastian Stan imbues the young Donald with humanity who, here is not portrayed as a ‘killer’ but a flawed human being who is desperately seeking power, wealth and acceptance. The mighty Jeremy Strong delivers another fantastic character performance as the lawyer Roy Cohn, who has a journey of his own that is both tragic and again, given dimensionality by the talented Mr Strong. Maria Bakalova portrays Ivana, Trump’s first wife, and through her performance, we come to understand and believe how she was drawn to a man like him.

This is a ‘chapter in the life of’ story, not a full biography, specifically focussing on that time of New York in the 1970s and the relationship between Trump and Cohn; the passing of information in the dark art of gaining power. It is about a young man trying to carve out his place in the cut-throat world, a man not without sympathy, searching for validation from his father (the brilliant Martin Donovan) and peers to becoming the bully that he is today.

Abbasi takes us on journey that shows us how the path was forged for the Donald to become the TV star turned ex President of the U. S. of A. we now know today.

See it at a cinema near you now.

120 Minutes