TATTOO NATION (2012)

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Get yer tats out.

Having seen the trailer a few years back it was with excitement that this documentary came along. Primarily because of the inclusion of Danny Trejo, who has built a big career for himself in his later years. (Danny Trejo as a tough guy, yes, Liam Neeson, no). His story is but a small addition to this detailed look into the growth of the tattoo in the 20th century.

From the prison style to the black and grey to the full body colour suits that Ed Hardy brought over from Japan, director Eric Schwartz gives us a previously unseen insight into how tattoos have become acceptable, maybe even a mandatory part of culture from the frowned upon image they used to have.

The Mexican, Chicano culture embraced tattoos as a way of claiming their individual identity and stamping their culture onto their skin. The body as a canvas to express creativity can become art in one of its purest forms. We’re not talking about random Chinese symbols here, more the element of story telling, self expression and the extent to which this is possible.

Gone are the days of going into a parlour and only getting to choose from templates (anchors, swallows etc), now it is a big business with clients having meetings with their tattooist and many discussions before putting ink to skin. No longer the pissed up, drop in style of old (although I’m sure that style still exists in some places), tattooing has now been elevated to a common part of society.

The transition between the tribal style being disparaged to becoming badges of honour and ways of expressing oneself has been exponential in the last 30 years and is now an accepted part of culture as an art form and so it should be. Some of the greatest tattooists are exactly that, artists.

This documentary is well worth a watch giving the viewer a previously unseen look into the recent history of this interesting art-form.

3.5/5

BUY THE DVD HERE

 

STORIES WE TELL (2012)

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Todo sobre mi Madre.

Memories are funny things, not always reliable in their truth but more often than not, emotional snapshots warped and changed by time.

Sarah Polley has created an incredibly sensitive documentary about the nature of memory and stories being told by different players in said stories.
Here, she directs her family (they say work with what or who you know) to investigate various points in their lives and their inter-connectedness.

Someone once pointed out that if you get 5 (or some such number) people to go into a room and then come out and describe the room you will have 5 different versions of that one room.
Perspective, individual truths, experiential truths, and emotional responses-these all play a big part in this incredible experiment that manages to dissect the nature of life and family and walks the line between dispassion and emotionally affecting delicately with dexterity.

Give me this type of doc over ‘Who do you think you are?’ any day of the week. It doesn’t shy away from emotional exposure and the camera captures all the reactions beautifully and objectively.
This is Polley’s biggest strength, the fact that she is so enmeshed in the story but never gets in the way of allowing everyone to speak their own truths.
This, although it could be seen to be an emotional cop out on her part, actually reveals much more about her than if she was front and centre all the time. She doesn’t get in the way of the art. This is the feminine energy beautifully at play.
Hats off.

The less I say about the content, the better. Watch it and go on your own individual journey; unaffected and without judgement.
An important story told with delicacy and awareness about family and their various involvements in incidents past.

3.9/5

BUY IT ON BLU-RAY DVD HERE

DOWNLOAD THE FILM ON iTUNES HERE