RELIGULOUS (2008)

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I had seen this before and it had previously annoyed me. I didn’t like the way Bill Maher was as adamant that there is no God as the fundies interviewed in the show. I would have liked an evenly explored documentary and the pithy way he undermines his subjects was as insulting as the idiocy of sticking dogmatically to ones beliefs.

A belief is something that has been learned, from your parents or figures of authority from your life, it doesn’t make it true. God or No-God.

That’s what I felt the first time, but watching it again, slightly under duress, I was less offended by Him (Bill Maher), there is still too much of him there, a great journalist will ask the questions and move themselves out of the way. A great example of this would be Louis Theroux. Maher can be very funny at times but it is the timing, ironically, that doesn’t always work, the jokes may be funny but they are not always placed well. It’s a tricky one as during an interview, anything can happen, energies clash and sparks can fly, it’s all about the improvise, the true improvise, being present enough to know when to open your mouth and when to listen,, not always looking for the joke.

Halfway through the film we get to meet Father Reginald Foster, a Senior Vatican Priest, outside the Vatican and he may be the first interviewee that is talking sense. He comes across looking a bit like Carl Reiner and has a no-nonsense attitude.

Maher calls him Father Maverick and he refers to the part time catholics, amusingly as Cafeteria Catholics. I woud have liked to have seen many more direct subjects being interviewed and a lot less of the inarticulates.

The problem with a lot of the believers interviewed is that they are not versed well in language they lack clarity and the words to truly express themselves and herein lies the frustration, they can’t truly communicate their thoughts/beliefs.

Step on a man’s toes and he may forgive you but step on a man’s ideas……..

He doesn’t always give his subjects a chance to speak, take the Gay Muslims in Amsterdam for example, they didn’t say anything of interest apart from you go to jail for a year for being Gay in the one of their home countries. Now, on the day, maybe they didn’t say anything of interest and the editor made the scene with Maher’s comments the main feature. This is probably true as they may not have anything to say, but again the timing seems weird.

It comes round to the fact that politics has seeped into religion and that is the main concern. Look at most religions and they’re tenets and mainly about peace. Why is it that America preaches loyalty to God and Country? Could it be the votes?

Maher talks about doubt and asking questions yet ends the film with a very firm statement that the religious stories are nonsensical.

Religion is man-made, the tenets and teachings may have come from a higher source, I don’t know, the conundrum with religion is not the differences within the various philosophies between them but the differences in the humans who dogmatically stick to them. Agendas, personal pro(ph)it and staunch beliefs that cannot be questioned. This is an age-old system utilized to control the masses, it’s a case of “join our club and you’ll be saved.”

Sure, it gives many people comfort and that is wonderful, but the fundamentalism that exists in all religious organisations is where the conflict arises. There is no doubt that more people have been killed in God’s name by politicans and war-mongerers than any other causes.

“Religion is dangerous because it allows human beings who don’t have all the answers to think that they do.” True.

“Anyone who tells you that they know, they just know what happens to you when you die, I promise you, you don’t. How can I be so sure? Because I don’t know and you do not possess mental powers that I do not”

Is that not the same as saying “You don’t have belief, so you’ll never understand”?

Here is my main gripe with this documentary, Bill Maher’s certainty that it is all bullshit. He flips between saying he doesn’t know and then saying they are all idiots. Sure, most of them may be, but putting a documentary together asking the big questions about religion one should remain neutral and seek the answers from its subjects.

This documentary is entertainment rather than pure journalism. You can have comedy and journalism in the same room, but it has to be done maturely and with consideration.

Larry Charles directed this just after he made Borat then going on to make Bruno and his M.O. is obviously comedy, which is fine.
Laughing at the idiots is easy, I just wish that this could have been taken a bit more seriously.

2.5/5

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INHERENT VICE (2014)

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Set in 1970, private investigator Larry ‘Doc’ Sportello is visited by his ex-girlfriend who asks him to look into a possible sting operation on her current real estate mogul boyfriend by his wife and her lover and so, gets embroiled in a tangled web of secrets, Nazis, crazy dentists and tightly wound police men.

I like Paul Thomas Anderson and he is one of the few directors whose films I will definitely watch and always look forward to them.

Inherent Vice is very enjoyable, as complicated as may be; Anderson steeps us in this L.A. noir world that is unusually bright for a Noir film.

Adapted from Thomas Pynchon’s book of the same name, this is a journey through the complex world of a private detective, his ex-girlfriend, her housing mogul boyfriend and an array of weird and wonderful characters.

I haven’t read the book yet but will be doing so very soon.

The great Joaquin Phoenix plays the P.I., Larry ‘Doc’ Sportello whose penchant for the greener type of smoking infuses the film with a heady haziness that is a lot of fun once you accept it for what it is. The audience is mostly always on the same page as Doc, so the ride is as surprising to him as it is to us.

The cinematography by Robert Elswit (Anderson’s regular lenser) is stunning, filled with beautifully composed shots. He recently shot the fantastic Nightcrawler that is also set in L.A. mostly at night whereas Inherent Vice is filled with the L.A. sunshine.

This has the hallmarks of a cult film; there will be midnight screenings for the fans. It is not a film that gen pop will willingly go to, it’s too convoluted for most viewers who like everything neatly tied up and explained but for the adventurous amongst you, this will be a treat.

Anderson was introduced to me, like most of us via the superb Boogie Nights and he followed this with his opus, Magnolia. I went back and watched Hard Eight (cut to ribbons by the studio) which was an enjoyable mess (director’s cut anytime sooon?) and then Punch Drunk Love followed by There Will be Blood and The Master. All of these contain quality storytelling and although I had problems with There Will Be Blood (Daniel Day-Lewis’ incredible performance overshadowing the narrative) Anderson’s oeuvre is filled with incredible performances and always-interesting film-making.

Katherine Waterson (Sam’s daughter) plays the ethereal, Shasta Fay Hepworth and delivers a performance worthy of note; she literally lays herself bare both physically and emotionally. She is an interesting actor whose choices and skills are given free reign here.

The supporting cast are all excellent; Josh Brolin as the angry policeman, Bigfoot, Joanna Newsom as the film’s earth mother/narrator, Sortilège, Martin Short as the unhinged dentist, Dr Rudy Blatnoyd, Hong Chau as the masseur/prostitute, Jade, Eric Roberts as the real estate mogul and boyfriend of Shasta, Mickey Wolfmann, Serena Scott Thomas as his wife, Sloane, Michael K Williams as Tariq Khalil, Owen Wilson as the musician, Coy Harlingen and Benicio Del Toro as Doc’s lawyer amongst many very talented others.

Paul Thomas Anderson has always loved actors and he is definitely an actor’s director.
Special mention should go to Jonny Greenwood for creating a beautiful soundtrack.

This is a film for cineastes out there, those with an appreciation for all things cinema and I, for one, will be re-watching this at some point.

4/5

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