THIS IS THE END (2013)

this-is-the-end-cover

A brilliant premise, a talented cast all playing themselves, or a twisted version, the opportunity for many belly laughs are there, so why doesn’t it work?

Here’s why.

If you have a great idea but decide to pad it out with three music videos, it states clearly that you don’t have enough material to fill a film.

Having the Apatow set playing themselves during the end of the world is a cool concept but be wary, it could easily turn out cheap and tacky. Fortunately for them the majority of the scenes work, it just needed more polishing to lift it above a home movie that they could show to their mates.

Directed by Seth Rogen and Evan Goldberg and featuring a some very funny actors, Craig Robinson, Danny McBride, Michael Cera, and a bunch of cool cameos: Paul Rudd, Martin Starr, Kevin Hart, Aziz Ansari and David Krumholtz who gets by far the funniest scene (”you can hold onto my full weight?”).

There are plenty of very funny moments in this film; it just doesn’t gel as a whole; it’s half-baked. Rogen and Goldberg made a lot of money with this film and some would say that is success, in a way, yes, but artistically?

Ever since Freaks and Geeks the Apatow alumni have been making some very funny films and so the bar is high. Pineapple Express, Superbad, hell even Knocked Up, all better films than This is the End. But for every Superbad there are several Observe and Reports/Bad Neighbours.

The rapture ending didn’t work, far too Christian and shoe-horned in an otherwise unrelated world.

Finally, The Backstreet Boys. Oh dear. So unnecessary. It smacks of rich kids getting to live out their fantasies in a public arena and shouldn’t be allowed. If this was some Z-lister film that no-one but the teens would see, then fair play, but more should be expected from talent such as these.

3/5 (For the laughs, when they happened)

BUY THE FILM ON BLU RAY HERE

DOWNLOAD THE FILM ON iTUNES HERE

LOCKE (2013)

hr_Locke_1

Drive, she said.

One Hardy and his car and it ain’t Mad Max.

This is interesting from the off. How do you make a film about one man driving in his car for the WHOLE film dynamic?

The script for one has to be tight and the performance has to be on target, otherwise what’s the point?
Fortunately for the viewer, Tom Hardy has the acting chops to take us on a journey, literally and metaphorically on that ever-so exciting run from Birmingham to London.

Hardy plays Ivan Locke, who has to make a night-time car journey from Birmingham to London for reasons that will be made clear as you watch.

Tightly directed by Steven Knight who had to wait several years until Tom Hardy was finally available to fit him into his schedule. It was worth the wait. Hardy delivers a performance filled with nuance and layer.

It is very watchable and really shouldn’t be. On paper, one actor onscreen and several top names that only get to give good voice sounds boring, right?

Vocal support comes in the guise of Olivia Colman, Ruth Wilson, Andrew Scott (brilliantly funny), Ben Daniels, Tom Holland, Bill Milner and Danny Webb.

Clearly there is a reason that Locke has to make the journey otherwise it would be fricken boring and this is testament to Knight’s script that he sets the stakes high enough to keep us on board.

The running time is 85 minutes and there is not a gunshot/bomb/terrorist/ kidnapping in sight, yet the tension is palpable.

I watched this after a 4 day festival and my 3 companions all fell asleep, not because the film was boring, each of them stated they wanted to re-watch it. The blame clearly lays in the over doing it of the fest. It intrigued me enough to stay awake and see it through.

A very different thriller that keeps you interested even though you’re on the M6 for the lion’s share of it, possibly one of the most boring motorway journeys in the world made truly engaging.

3.5/5

BUY THE BLU RAY DVD HERE

DOWNLOAD THE FILM ON iTUNES HERE