TALK TO ME (2023)

Talk to Me-Australian Poster


As Philip Larkin once said:
“They fuck you up, your mum and dad…………

Sit down, let someone tie you to a chair, they light the candle, you say “Talk to Me” and the portal is opened, now you say “I let you in” and the connection is complete………but don’t forget let go of the hand and blow out the candle by 90 seconds…….or else.

The best horror film of 2023 so far. After the world premiere at Sundance Film Festival in January 2023, a bidding war began and A24 acquired the U.S. distribution rights.
A24 are the tastemakers, facts. They know a good fit when they see it.
Here be shades of Hereditary, the last horror film that truly scared me (although Barbarian did a decent job as well). 
This is the point of horror films, right?

When a group of friends discover how to conjure spirits using an embalmed hand, they become hooked on the new thrill, until one of them goes too far and unleashes terrifying supernatural forces.

Zoe Terakes in Talk to Me
Zoe Terakes in Talk to Me

Twin brothers, Danny and Michael Philippou bring you a terrifying film that treads the line between convincing and the supernatural with deft and dexterity. They both direct and Danny writes alongside Bill Hinzman and Daley Pearson.
The twins started their career with the very successful youtube channel RackaRacka. They are already huge stars and the sky is seemingly the limit for these two Adeladians or Adelads or Adelarrikins (not sure if these are things but they sound good. Don’t @ me, people from Adelaide). They also crewed on the great 2014 Australian horror film, The Babadook. They seemingly love the craft and it shows.

Mark my words, this film will be in the mouths, pens and keyboards of critics as soon as it is released.
It will be in the top 3 horror films of 2023, if not number 1.

Joe Bird in Talk to Me-Pleased to meet you........
Joe Bird in Talk to Me-Pleased to meet you……..

I recently had a conversation with a friend who said he didn’t like horror films.
I hear this a lot.
People do like being scared though…..errrr rollercoasters anyone?????
I love the psychology of a well-put-together horror film, the deep diving into the unseen parts of the universal consciousness is always fascinating but not always cosy and definitely not for the faint of heart.
This is why I will always check in with the great horror films. Last year, we had the excellent X and Pearl, Barbarian, Bodies Bodies Bodies, Speak No Evil, Prey, Nope and Sissy, this year we have had M3gan, Evil Dead Rise and now to top it off we have Talk to Me.

Genre-ism is for the marketers who try and categorise so you know which rave to go to.
No matter which flavour it comes in, a well-told story is a well-told story.
There be no flavourism here.
Great films challenge you, to laugh, cry, take you on an adventure, make you metaphorically shit yourself, and in some way engage one or several of your emotions.
This is the point of art. To make you feel……something.

Talk to Me taps into your subconscious, grabs it, shakes it, and reminds you that you’re alive and It’s only a movie.
The fear of the unknown, the other side, the dead, here there be ghosts and they’re not all friendly.

The cast are uniformly all in, they deliver with so much conviction with the lioness’ share of convincingly emoting coming from the lead, Sophie Wilde. She plays Mia who is suffering from grief and the trauma of her Mother’s suicide and is brilliantly supported by Joe Bird, Alexandra Jensen, Otis Dhanji, Zoe Terakes, Chris Alosio, Alexandria Steffensen, Marcus Johnson and Ari McCarthy along with Miranda Otto bringing the movie’s matriarch to life with gusto, motherly concern and, On God, humour.

These director brothers are for sure headed for big heights, at least the offers will be forthcoming, I just hope they carry on making interesting fare and avoid the big, potentially problematic, payday directing the next Marvel film or studio tentpole fare, not that I’m not wanting them getting paid but I would really like to see something innovative that capitalises on the promise of their debut horror film that is poised to be a smash hit. 
The youtubers make a film that sits well and comfortably next to other great horror films. 

Thanks to http://www.letterboxd.com for the preview invite.
Seeing it at the VMax on George St, Sydney was such a treat. Many thanks.

Do yourself a favour, go see it at the cinema with a crowd. It’s well worth it.

And please, whatever you do…………remember to let go of the hand.

The hand in Talk to Me

95 minutes

Australian release date July 27th 2023

U.S. Release date July 28th 2023

KILL BOKSOON (2023)

Kill Boksson poster


South Korean cinema and action go together like strawberries and cream. 

Gil Bok-soon is a single mother who tells her troubled daughter that she works for an event company. The event company, MK Ent. that she works for is actually an agency that takes on contract killings. Boksoon is the top Assassin with a 100% success rate.

Hwang Jung-min in Kill Boksoon

Hwang Jung-min in Kill Boksoon

The film opens at night on a deserted bridge. A tattooed man, a South Korean Japanese-born Yakuza, played by the always brilliant, Hwang Jung-min wakes up to find a woman dressed like a nurse whom he recognises as being the famous killer Bok-soon, they then begin the first of many brilliantly choreographed action sequences that appear in the film.
It’s a top opening gambit scene that starts a journey for the audience that is both unexpected, inventive and highly enjoyable.

Jeon Do-yeon in Kill Boksoon

Jeon Do-yeon is Gil Bok-soon

With the recent release of John Wick 4, America has also shown that they are up there with the best of them when it comes to true martial arts cinema which is great news for fans of the genre. With JW4 (and the three-vious ones) having had a huge cinema release worldwide it is no surprise that it is doing really well at the box office and receiving a LOT of attention. Kill Boksoon is probably doing well in South Korea but the fact that Netflix acquired the film and is available ONLY on Netflix is both great and a great shame.
This film shares some assassinate DNA with the Wick franchise.

Why couldn’t I watch this at the cinema?
This is one of the problems with Netflix, they spend a ton of money on making or acquiring these films and deny the audience a chance to experience them as they should by sticking them straight onto their streaming site. One of their recent acquisitions, which was nominated for a bunch of awards, the war film All Quiet on the Western Front had a very limited cinema release that I unfortunately missed but at least it was available for a second. Living in Australia it can be difficult to find South Korean cinema on the big screen, although I am going to see Memories of Murder in a few weeks at the Golden Age cinema in Surry Hills and I did see Broker last year, but unless it makes ripples at Cannes or one of the festivals around the world it’s unlikely that it will make an appearance at the cinema. 
I guess I have to get my own screening room………

It works both ways though because the reach Netflix has is much greater than the traditional route and so the filmmakers get their films out to a potentially massive audience and ultimately that is what they want but Netflix should do what they did with Western Front, The Irishman and several others more.
Give us us cinema option.
Anyways……..

Kim Si-a and Jeon Do-yeon

Kim Si-a and Jeon Do-yeon

What sets Gil Bok-soon apart from her peers is her ability to play out the contract like a chess maestra, always looking ahead to fulfil her means. She is a veritable virtuoso lead violin of death in an orchestra filled with jealous instruments competing with her.

Her relationship with her daughter is fraught with the usual miscommunications, they are constantly trying to connect but miss each other every time.
In this respect, Kill Boksoon shares some family dynamic DNA with the superb Oscar winner of 2023; Everything Everywhere All at Once as well as some cracking fight sequences.

Gil Bok-soon is played by the brilliant Jeon Do-yeon whom I first saw in the excellent Untold Scandal in 2003, which was based on the French novel, Les Liaisons Dangereuses and she also featured in last years Emergency Declaration (2021).

2003 was also the year that Park Chan-wook’s classic Oldboy was released as well as Bong Joon-ho’s Memories of Murder, Kim Jee-woon’s A Tale of Two Sisters, and Kim Ki-duk’s Spring, Summer, Fall, Winter….and Spring. 
This was the year I began my journey into South Korean cinema. It was a good vintage and I was probably not the only non-South Korean cinema lover to step into this incredible cinematic world at this time.

Jeon Do-Yeon is fantastic in this film, she manages to convey the motherly confusion and desire to protect as well as the brutality that is required for her job.
She can fight you know.

Sol Kyung-gu and Jeon Do-yeon

Sol Kyung-gu and Jeon Do-yeon

The head of MK Ent. is Cha Min-kyu played as usual with depth and groundedness by Sol Kyung-gu who was excellent in The Book of Fish (2021) and was incredible in Memoir of a Murderer (2017). He had previously worked with the director of Kill Boksoon, Byun Sung-hyun in The Merciless (2017), which was great and well worth a look and Kingmaker (2021), which I haven’t seen yet.
His character in this film has a history with Bok-soon that causes jealousy with his sister, Cha Min-hee. played by Esom, who is an executive of the company and has the potential to make life very difficult for Bok-soon.

Bok-soon juggles her family life with her professional at times, with difficulty, constantly trying to keep many plates spinning whilst the world around her is conspiring to force them to fall and smash.

The film is a veritable who’s who of top South Korean character actors, with Lee Yeon playing a young and upcoming very talented trainee assassin, the company bosses played by Kim Sung-oh (The Merciless/Kingmaker), Gi Ju-bong (a great character actor who has worked a load with arthouse director Hong Sang-hoo), Kim Jun-bae, Lee Young-suk (The Book of Fish), Kim Yong-joon and Shin Kang Kyun. 

Kim Ki-cheon, Jang In-sub, Choi Byung-mo, Koo Gyo-hwan, Jeon Do-yoen and Park Kwang-jae

Kim Ki-cheon, Jang In-sub, Choi Byung-mo, Koo Gyo-hwan, Jeon Do-yoen and Park Kwang-jae.

Bok-soon’s colleagues and drinking buddies who also work for the company and hold her in the highest of regard played by Hoo Gyo-hwan (Peninsula), Choi Byung-mo (The Merciless/The Spy Gone North), Kim Ki-cheon (Veteran/The Wailing), Park Kwang-jae (The Merciless/Memoir of a Murderer) and Jang In-sub (A Hard Day/The Merciless), this group has a lot of fun playing together and provides some of the funnier scenes and an amazing fight scene. I like how the director Byun Sung-hyun uses a repertory of actors in his films, my favourite directors do this, Akira Kurosawa is a great example.
Kim Si-a is really good as Bok-soon’s daughter and they have some touching and heart-felt scenes together. Also worth a mention are her schoolfriends played by Lim Jae-in in her first film and Choi Hyung-joo (Hellbound).

I know that was a lot of names but they are all worth mentioning.
Sung-hyun directs them all with skill and brings out wonderful performances from them all.

Sol Kyung-gu and a bunch of Russian gangsters

Sol Kyung-gu and a bunch of Russian gangsters

This is a film that is massively entertaining and well worth a watch.

Watch it now on Netflix.

137 Mins.